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Change Isn’t Easy. ‘Masters of the Dark Realm’, reviewed

Reviewed by Matt Ritchey Change isn’t easy and if the emotions surrounding it aren’t dealt with well, it can cause things to explode – relationships, work, the battlements of Bargfeld…. Okay, that last one isn’t an actual thing, but it... Continue Reading →

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#HFF19 ‘Treason’, reviewed

Reviewed by Matt Ritchey A man believes that because he owns property, he is so independent that he can create his own Nation, his own Constitution, his own laws – and he is therefore not subject to the laws of... Continue Reading →

#HFF19, ‘Saving Cain’, reviewed

Reviewed by Tracey Paleo, Gia On The Move "and nothing nothing nothin nothin gonna save us now" Award-winning playwright Aaron Kozak is debuting a full-length script as a world premiere at the Hollywood Fringe 2019, his first in 5 years,... Continue Reading →

#HFF19 ‘Made For Each Other’, reviewed

reviewed by Kevin Hopps Welcome to Theater Math 101. It’s like new math only more entertaining. Let’s start with an example. One versatile actor (John Fico), plus one insightful playwright (Monica Bauer), plus one inspired director (John FitzGibbon), plus one... Continue Reading →

HFF18 ‘Maron Doll’, reviewed

by Tracey Paleo, Gia On The Move Losing what grounds our very existence, beautiful and awful, is terrifying to face. Maron Doll gets points for head-on tackling a subject that not many playwrights or productions have the will to do.... Continue Reading →

HFF18 ‘Met Again’, reviewed

by Tracey Paleo, Gia On The Move Relationships are relentless. For all of the initial excitement, there are so many things about them that are awkward and just plain crap. And if we really take them apart, there's a certain... Continue Reading →

HFF18 ‘American Conspiracy’, reviewed

by Tracey Paleo, Gia On The Move John Hinkley Jr. (Hank Doghan) is loosely depicted in American Conspiracy as the consensual wild-card, used by his own brother, Alan (Spencer Cantrell), in order to save the family's oil business via an... Continue Reading →

HFF18 ‘A Mile In My Shoes’, reviewed

by Matt Ritchey There’s a cliché phrase that goes, “I laughed, I cried, it was better than CATS.” The cliché is true for A Mile In My Shoes, Kathryn Taylor Smith’s one-woman show about the journey of homeless citizens in... Continue Reading →

HFF18 ‘Strong’, reviewed

by Tracey Paleo, Gia On The Move Tiffany and Molly are childhood best friends and roomies. They enjoy cheap wine, a tiny apartment, dead-end jobs and sarcasm.  One is chasing her dream.  The other running away from it.  Both are... Continue Reading →

HFF18 ‘Amanda The Barbarian’, reviewed

by Matt Ritchey Amanda the Barbarian the character, wants to fuck with your world. Amanda the Barbarian the play, wants to fuck with the way you watch theater. Scott Langer’s Fringe premiere at The Complex Hollywood attempts to blur the... Continue Reading →

HFF18 Michael Kearns ‘Bloodbound’ – reviewed

by Tracey Paleo, Gia On The Move Dark and sensual, Los Angeles artist-activist Michael Kearns' 75 minute, one-act, memory play, Bloodbound, currently showing at The Blank/2nd Stage Theatre, is an epithet to 'brotherly' love.  Deeply poetic, forbidden, distorted, it tracks... Continue Reading →

‘Forever Bound’ at Atwater Village Theater – A Total Eclipse

by Tracey Paleo, Gia On The Move Forever Bound the new play in a world premiere at Atwater Village Theatre written by Steve Apostolina, directed by Ann Hearn Tobolowsky and starring French Stewart (3rd Rock from the Sun, Secrets and... Continue Reading →

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