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Gia On The Move

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drama

HFF18 ‘Maron Doll’, reviewed

by Tracey Paleo, Gia On The Move Losing what grounds our very existence, beautiful and awful, is terrifying to face. Maron Doll gets points for head-on tackling a subject that not many playwrights or productions have the will to do.... Continue Reading →

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HFF18 ‘Met Again’, reviewed

by Tracey Paleo, Gia On The Move Relationships are relentless. For all of the initial excitement, there are so many things about them that are awkward and just plain crap. And if we really take them apart, there's a certain... Continue Reading →

HFF18 ‘American Conspiracy’, reviewed

by Tracey Paleo, Gia On The Move John Hinkley Jr. (Hank Doghan) is loosely depicted in American Conspiracy as the consensual wild-card, used by his own brother, Alan (Spencer Cantrell), in order to save the family's oil business via an... Continue Reading →

HFF18 ‘A Mile In My Shoes’, reviewed

by Matt Ritchey There’s a cliché phrase that goes, “I laughed, I cried, it was better than CATS.” The cliché is true for A Mile In My Shoes, Kathryn Taylor Smith’s one-woman show about the journey of homeless citizens in... Continue Reading →

HFF18 ‘Strong’, reviewed

by Tracey Paleo, Gia On The Move Tiffany and Molly are childhood best friends and roomies. They enjoy cheap wine, a tiny apartment, dead-end jobs and sarcasm.  One is chasing her dream.  The other running away from it.  Both are... Continue Reading →

HFF18 ‘Amanda The Barbarian’, reviewed

by Matt Ritchey Amanda the Barbarian the character, wants to fuck with your world. Amanda the Barbarian the play, wants to fuck with the way you watch theater. Scott Langer’s Fringe premiere at The Complex Hollywood attempts to blur the... Continue Reading →

HFF18 Michael Kearns ‘Bloodbound’ – reviewed

by Tracey Paleo, Gia On The Move Dark and sensual, Los Angeles artist-activist Michael Kearns' 75 minute, one-act, memory play, Bloodbound, currently showing at The Blank/2nd Stage Theatre, is an epithet to 'brotherly' love.  Deeply poetic, forbidden, distorted, it tracks... Continue Reading →

‘Forever Bound’ at Atwater Village Theater – A Total Eclipse

by Tracey Paleo, Gia On The Move Forever Bound the new play in a world premiere at Atwater Village Theatre written by Steve Apostolina, directed by Ann Hearn Tobolowsky and starring French Stewart (3rd Rock from the Sun, Secrets and... Continue Reading →

‘One Flew Over the Cuckoo’s Nest’ To Screen at Arena Cinelounge May 25-31

Considered to be one of the greatest films ever made, One Flew Over the Cuckoo's Nest, (a 1975 American comedy-drama film directed by Miloš Forman, based on the 1962 novel by Ken Kesey), is No. 33 on the American Film Institute's... Continue Reading →

Gia #HFF16 Reviews: Politically Challenged

Reviewed by Tracey Paleo, Gia On The Move Although a bit naively written, Politically Challenged has narrative moments of surprise especially when one of two assistant campaign managers outsmarts the other during an election meltdown all too similar to the... Continue Reading →

Challenging Fear in an “Office Hour” at South Coast Repertory

by Tracey Paleo, Gia On The Move "Is there a more primal emotion than fear?" asks writer John Glare in his introduction to Office Hour, a world premiere commissioned by South Coast Repertory from Korean-American writer Julia Cho (The Language... Continue Reading →

The Aeroplane Is a Hell of a Ride at LOFT Ensemble

by Tracey Paleo, Gia On The Move Wildly enthusiast and completely over-written, The Aeroplane, or How Low: An Autobiography (sort of), now playing downtown Los Angeles at LOFT Ensemble, with all of its crammed dialog, occasionally messy stage craft, and actor... Continue Reading →

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