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Gia On The Move

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world premieres of plays and musicals in the theater

Independent women in the modern age? That just won’t do. ‘Deadly’ at the Broadwater

by Tracey Paleo, Gia On The Move The story of H.H. Holmes is a fascinating one. At least in the context of the century in which he lived. A classic psychotic serial killer, con artist, and bigamist, Holmes is America's... Continue Reading →

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#HFF19 ‘How I Became a Superhero’, reviewed

Reviewed by Tracey Paleo, Gia On The Move Almost directly after the performance, I got tagged on a Facebook timeline, ‘They nailed it!’ While normally I don’t pay attention to the fan hype of any show, with How I Became... Continue Reading →

#HFF19 ‘Shipwracked’, reviewed

Reviewed by Matt Ritchey There are many burlesque companies in Los Angeles, but if Shipwracked  is indicative of all of Victress Burlesque’s shows, they’re toward the top of the list – this isn’t a burlesque show, it’s a full-on comedy... Continue Reading →

#HFF19 ‘Pretty Witty Nell’, reviewed

Reviewed by Guy Picot In 2015 British actress Bella Merlin brought her one-woman show, Nell Gwynne: A Dramatick Essaye in Acting and Prostitution to the Hollywood Fringe. This year Melanie Johnson steps into the corsets in Rogue Shakespeare's "Pretty, Witty... Continue Reading →

#HFF19, ‘Saving Cain’, reviewed

Reviewed by Tracey Paleo, Gia On The Move "and nothing nothing nothin nothin gonna save us now" Award-winning playwright Aaron Kozak is debuting a full-length script as a world premiere at the Hollywood Fringe 2019, his first in 5 years,... Continue Reading →

#HFF19 ‘Internal’, reviewed

Reviewed by Matt Ritchey Internal is the newest immersive piece from They Played Productions and it’s their strongest showing at the Hollywood Fringe Festival yet. Walking down Vine in Hollywood at night on your own, many people are wary of... Continue Reading →

#HFF19 ‘The Flower Society’, reviewed

Reviewed by Tracey Paleo, Gia On The Move In the simplest of ways, The Flower Society tells a story about humanity.  Well, really, about people. How, even in the most harrowing conditions where personal safety and security are threatened, where... Continue Reading →

#HFF19 ‘Anna St. Hesia Dreams’, reviewed

Reviewed by Matt Ritchey Drew Petriello’s Anna St. Hesia Dreams is a fever dream in a blackbox. It’s pronounced “Anaesthesia Dreams,” by the way, if that gives you a clue to the plot. Jinny Ryann plays Anna who has just... Continue Reading →

#HFF19 ‘Sunbathe in Darkness’, reviewed

Reviewed by Matt Ritchey If you mistake Sunbathe in Darkness as the title of a dreary, over-serious, self-important Fringe play by a first-timer, you’d be forgiven. But rest assured, whoever put that production up would soon be ridiculed by way... Continue Reading →

#HFF19 ‘Earth to Karen’, reviewed

Reviewed by Tracey Paleo, Gia On The Move ‘Earth to Karen…this is your life!’ And the ladies have it… There is no other performer I can think of that can knock a musical comedy directly out of the park with... Continue Reading →

#HFF19 ‘Fertile’, reviewed

reviewed by Tracey Paleo, Gia On The Move I've been to hell. Have you? Hell and back. That's what making baby magic is sometimes about. For Jenny, trying to get Fertile, is just the worst! Any woman who's been through... Continue Reading →

The Sacred Fools Theater Company Announces Prime Shows for Season 23

Press Release The Sacred Fools Theater Company is excited to announce its upcoming 23rd Season (2019-2020), featuring two World Premieres and two West Coast Premieres. These four shows serve as the company’s Prime Season, in addition to the high volume... Continue Reading →

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