Gia On The Move


The Lounge Theatre

HFF18 ‘I Came To Make Noise’, reviewed

by Matt Ritchey The title isn’t fooling around – this production came to make some NOISE! A blend of hip-hop, spoken word, live beatboxing and singing, I Came To Make Noise is a Fringe Scholarship-winning production focusing on feminism and... Continue Reading →

Gia #HFF17 The Faggot King Review

by Tracey Paleo, Gia On The Move Orgies and more orgies. School of Night has put the fun back into the monarchy. War, comedy, rebellion, lust, beheading, endless nightclubbing, open masturbation and lot's and lot's of fucking. If I'm bold... Continue Reading →

Gia #HFF17 I’m Too Fat For This Show Review

by Tracey Paleo, Gia On The Move Kate Huffman has had two solid decades of living with an OCD-instilled eating disorder that requires her to live by a strict set of rules and rituals rooted in numbers and eternal body... Continue Reading →

Gia #HFF16 Reviews: #WHALEFAIL

Reviewed by Benjamin Schwartz Denial. Anger. Bargaining. Depression. Acceptance. Brett Epstein’s tragicomedy, #WHALEFAIL, deconstructs the Kübler-Ross model of the five stages of grief while tackling the theme of ordinary man vs. corporate America. It also challenges the notion that we,... Continue Reading →

Gia #HFF16 Reviews: All Aboard The Marriage Hearse

by Tracey Paleo, Gia On The Move Perhaps one of the least fringy shows at Hollywood Fringe this year, All Aboard the Marriage Hearse is a comparatively fully formed, theatrical production. Incredibly well-conceived, written, directed and executed this show nails... Continue Reading →

Inland Empress at the Lounge Theatre Hollywood

by Tracey Paleo, Gia On The Move In Tango it has been said that despite the sensuality of the movements, all the bravado, the steps, the music and technicality that is housed in the study and performance of the art,... Continue Reading →

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