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The Broadwater

#HFF19 ‘Sunbathe in Darkness’, reviewed

Reviewed by Matt Ritchey If you mistake Sunbathe in Darkness as the title of a dreary, over-serious, self-important Fringe play by a first-timer, you’d be forgiven. But rest assured, whoever put that production up would soon be ridiculed by way... Continue Reading →

#HFF19 ‘Lincoln 2020’, reviewed

Reviewed by Matt Ritchey If you miss The West Wing and the classic 60’s Mel Brooks films, Holiday Kinnard’s Lincoln 2020 is for you. Tess Baker (Allie Leonard) feels responsible for Mallory Britton (Janet Chamberlain) losing the 2016 election to…... Continue Reading →

#HFF19 ‘Earth to Karen’, reviewed

Reviewed by Tracey Paleo, Gia On The Move ‘Earth to Karen…this is your life!’ And the ladies have it… There is no other performer I can think of that can knock a musical comedy directly out of the park with... Continue Reading →

#HFF19 ‘Double Falsehood’, reviewed

Reviewed by Matt Ritchey Porters of Hellgate are back at Fringe with Double Falsehood, attributed to Lewis Theobald based on Shakespeare and Fletcher’s Cardenio, itself based on the story in Don Quixote. It may not be the most well-known play... Continue Reading →

#HFF19 ‘Ed Goodman’s Ol’ Timey Brainwash’, reviewed

Reviewed by Matt Ritchey Ed Goodman is a talented, otherworldly crazy man. And he has a solo show. Thank God. Fans of Goodman may remember his portrayals of Mark Twain in both Poe Show and Mark Twain Answers All Your... Continue Reading →

#HFF19 ‘By the Light of the Moon’, reviewed

Reviewed by Tracey Paleo, Gia On The Move Women live in horror. And none more so than those of us living in the present. It’s a shocking and broad statement. But true … sometimes. We are the eyes that are... Continue Reading →

#HFF19, ‘The Same Room’, reviewed

Reviewed by Matt Ritchey Last year, Lucid Dramatics deservedly won “Best Ensemble” for a play featuring modern versions of Hamlet, Laertes, and Ophelia as they struggle to connect or disconnect from one another. This year, LD’s Kelley Pierre pens and... Continue Reading →

#HFF19 ‘Come On Down’, reviewed

Reviewed by Matt Ritchey Jeff Scot Carey has been a staple in the Hollywood theatre scene for quite a while and his work as a performer is always fun and honest. With Come on Down, which he writes and directs,... Continue Reading →

#HFF19 ‘The Death of Sam Mobean’, reviewed

Reviewed by Matt Ritchey One of the great things about attending the Fringe annually is that you remember what actors, writers, directors, or groups do work of high caliber or that is your “style.” Michael Shaw Fisher is one of... Continue Reading →

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