Search

Gia On The Move

Tag

solo show

HFF18 ‘Nephew of the Universe’, reviewed

by Tracey Paleo, Gia On The Move There was admittedly a certain fascination (for me) with seeing Nephew of the Universe. The Indian spiritual leader Sri Chinmoy, whose meditation center, one of many, was located in Queens, NY, was well-known... Continue Reading →

Advertisements

HFF18 ‘Final Preparations’, reviewed

by Matt Ritchey Christopher Lyons’s Final Preparations at Studio/Stage is a one-man horror show about an aesthetician giving a young girl’s corpse a final make-up preparation before her showing. Things, of course, are not as they seem, and so ensues... Continue Reading →

HFF18 ‘Play On! A Musical Romp with Shakespeare’s Heroines’, reviewed

by Bob Rich In her uplifting production Play On! A Musical Romp with Shakespeare's Heroines, Laura Jo Trexler treats us to a tour-de-force performance in a musical journey through Shakespeare’s plays, giving voice to famous women from his classic works.... Continue Reading →

HFF18 ‘Kassandra’, reviewed

by Tracey Paleo, Gia On The Move She asked the gods for greatness. But the gods can be cruel. She became the seeress who told the truth, but was not to believed. On the morning she is to die, King... Continue Reading →

HFF18 ‘A Mile In My Shoes’, reviewed

by Matt Ritchey There’s a cliché phrase that goes, “I laughed, I cried, it was better than CATS.” The cliché is true for A Mile In My Shoes, Kathryn Taylor Smith’s one-woman show about the journey of homeless citizens in... Continue Reading →

HFF18 ‘The Day I Became Black’, reviewed

by Matt Ritchey If you see no other show this Fringe season, see Bill Posley’s The Day I Became Black, an astounding solo performance about growing up bi-racial in America. Posley is, first off, an incredibly charming and natural performer,... Continue Reading →

HFF18 ‘The Word’, reviewed

by Matt Ritchey JJ Mayes and Victor Isaac are responsible for some of the best and funniest material at the Hollywood Fringe over the years and The Word is no exception. A one-man show “Brought to you by the First... Continue Reading →

HFF18 ‘The Meatball Chronicles’, reviewed

by Tracey Paleo, Gia On The Move How To Be Invisible is a recipe that has been handed down from one female generation to the next. And it's the one concoction that Debrianna Mansini just can't seem to adapt, nor... Continue Reading →

HFF18 Sam Shaber: Life, Death & Duran Duran

by Bob Rich In her production Life, Death & Duran Duran, Ms. Sam Shaber takes us on a wistful, humorous journey, filled with stories and songs about her childhood dreams, her loved ones and her fond memories of the iconic... Continue Reading →

HFF18 ‘Balls’ON’, reviewed

by Bob Rich In her humorous, thought-provoking one-woman show Balls’ON, at The Broadwater, Katt Balsan takes us on an international trip from France to America. Along the way, she performs an astonishing 25 different characters for us. During the amazing journey,... Continue Reading →

HFF18 ‘#MeToo’, reviewed

by Tracey Paleo, Gia On The Move I'd like to say that #MeToo the solo show currently appearing at Studio C for the Hollywood Fringe Festival, adds a new level of WTF-ness to the modern understanding and experience of female gender... Continue Reading →

HFF18 ‘Stripped’, reviewed

by Tracey Paleo, Gia On The Move Julia Cavanagh exposes herself through a journey of self-love and discovery in her one-woman show, Stripped, a winding, many-detoured, autobiographical ramble that chronicles her life growing up in a small town, stripping for... Continue Reading →

Create a website or blog at WordPress.com

Up ↑

%d bloggers like this: