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Gia On The Move

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satire

#HFF19 ‘Dandy Darkly’s All Aboard’, reviewed

Reviewed by Matt Ritchey Dandy Darkly is a fantastic storyteller in the classic American tradition of Mark Twain, telling ghostly tales peppered with a liberal amount of political activism. Where he and Twain differ is the sparkly jumpsuit, the fiendish... Continue Reading →

#HFF19 ‘The Death of Sam Mobean’, reviewed

Reviewed by Matt Ritchey One of the great things about attending the Fringe annually is that you remember what actors, writers, directors, or groups do work of high caliber or that is your “style.” Michael Shaw Fisher is one of... Continue Reading →

#HFF19 ‘Olivia Wilde Does Not Survive The Apocalypse, reviewed

HollywReviewed by Matt Ritchey Playwright Matthew Robinson and producing partner Robbie DeVillez have done some great shows over past Fringes – Blackballed, Mary's Medicine, Politically Challenged, – and all of them have had some insightful themes and important things to... Continue Reading →

#HFF19 ‘Mil Grus’, reviewed

Reviewed by Tracey Paleo, Gia On The Move “The fool alone can speak truth.” When we’re spontaneous. When we’re silly. When we’re unfiltered, unfettered, un-cautionary and honest to the core. These are the moments when humans are wondrous and at... Continue Reading →

Door Number 3: Serving L.A. Theater Audiences by Serving the Story

By Tracey Paleo, Gia On The Move Artistic Director Tim True is looking to the present, not just for his theater company Door Number 3, but for Los Angeles audiences. Some of his former Portland group (Third Rail Repertory Theatre)... Continue Reading →

Track 16 Presents Robbie Conal’s Cabinet of Horrors, a series of satirical political portraits

Track 16 will present Robbie Conal’s Cabinet of Horrors in a series of satirical portraits of Donald Trump, members of his cabinet, and inner circle – painted in Conal’s signature black and white style, each with a blazon of biting... Continue Reading →

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