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Rogue Machine’s ‘Finks’: A Modern Day ‘Crucible’

by Tracey Paleo, Gia On The Move In 2018, the year of high-energized Donald Trump politics, for many, it is becoming far easier to perceive a delineation between Fascism and Democracy. In the case of Finks, Rogue Machine Theatre's Drama... Continue Reading →

HFF18 ‘Blackballed’, reviewed

by Matt Ritchey and  Bob Rich BlackBalled is an intimate new play that helps us better appreciate the impressive athletes in Negro League Baseball via a team owner's struggle to bring an underfunded league to prominence during the first half... Continue Reading →

Cambodian Rock Band Is A Triumph For Lauren Yee at South Coast Repertory

by Tracey Paleo, Gia On The Move She's angry. She's edgy. And she's determined to discover the truth. The truth though, is not where or what she expected it to be. Lauren Yee has crafted a heat-seeking musical thriller with... Continue Reading →

Gia #HFF17 The Faggot King Review

by Tracey Paleo, Gia On The Move Orgies and more orgies. School of Night has put the fun back into the monarchy. War, comedy, rebellion, lust, beheading, endless nightclubbing, open masturbation and lot's and lot's of fucking. If I'm bold... Continue Reading →

‘Letters To Eve”s Epic Endeavor

by Tracey Paleo, Gia On The Move Even revised in its latest iteration at the Miles Memorial Playhouse in Santa Monica (the play ran a successful workshop premiere back in November 2016), the term that best describes Zoo Theatre Company's Letters... Continue Reading →

L.A. Intersection Central & Vernon Gets a New Name

On Thursday, July 28, 2016, at 10:00 a.m., The City of Los Angeles will officially rename the intersection of Central Avenue and Vernon Avenue to Dolphin's of Hollywood Records Square in recognition of the record store's role in history in connection... Continue Reading →

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