Reviewed by Matt Ritchey Porters of Hellgate are back at Fringe with Double Falsehood, attributed to Lewis Theobald based on Shakespeare and Fletcher’s Cardenio, itself based on the story in Don Quixote. It may not be the most well-known play... Continue Reading →
Reviewed by Matt Ritchey Last year, Lucid Dramatics deservedly won “Best Ensemble” for a play featuring modern versions of Hamlet, Laertes, and Ophelia as they struggle to connect or disconnect from one another. This year, LD’s Kelley Pierre pens and... Continue Reading →
