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experimental theatre

Protected: Rorschach Fest’s ‘Ghosts’ Revival is a Piece of History

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#HFF19 ‘Guilt’, reviewed

Reviewed by Matt Ritchey Guilt is two short plays presented as a thematically linked show, produced by Cyanide Theatre. The first, The Holy Name of Apostasy written by Ryan Lisman and Benjamin Schwartz, tackles the current situation in the Catholic... Continue Reading →

#HFF19 ‘Anna St. Hesia Dreams’, reviewed

Reviewed by Matt Ritchey Drew Petriello’s Anna St. Hesia Dreams is a fever dream in a blackbox. It’s pronounced “Anaesthesia Dreams,” by the way, if that gives you a clue to the plot. Jinny Ryann plays Anna who has just... Continue Reading →

#HFF19 ‘Hide Your Fires: Butoh Lady Macbeth’, reviewed

Reviewed by Matt Ritchey Butoh is not a style of theatre rampant in Los Angeles – it’s a Japanese dance theatre requiring intense control and extreme emotion. Back this year at Hollywood Fringe, after last year’s Butoh Medea, is Ren... Continue Reading →

#HFF19 ‘El Hood de Macpuerco’, reviewed

Reviewed by Trace Paleo, Gia On The Move Most interesting about El Hood de Macpuerco (MacPig) is what and how a completely different culture has drawn from the comparative experience of the Scottish play. The story of Macbeth itself is... Continue Reading →

#HFF19 ‘In Conclusion’, reviewed

reviewed by Tracey Paleo, Gia On The Move   "I want to be bad…" Although it does not specifically denote anywhere either on the Fringe website or in the show program, In Conclusion, is a loosely adapted re-framing of the... Continue Reading →

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