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Gia On The Move

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comedy

‘Three Days in the Country’ with Antaeus Theatre

by Tracey Paleo, Gia On The Move At its best, Three Days in the Country, is a blithe, comical update, by Patrick Marber, of Ivan Turgenev’s classic A Month in the Country, and a potent reminder of how people seem... Continue Reading →

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HFF18 Encores, ‘The Rental’, reviewed

by Tracey Paleo, Gia On The Move The rather casual opening gives no indication to The Rental's streamy storytelling and sophisticated tête-à-tête. Lead actress (and executive producer) Alexandra Astin really packs a wallop in this straight-up/sexed-down, provocative comedy by degrees. Keith (Jake... Continue Reading →

HFF18 ‘A Very Die Hard Christmas’, reviewed

by Tracey Paleo, Gia On The Move High above the city of L.A., a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape. An off-duty cop hiding somewhere inside. He’s alone,... Continue Reading →

HFF18 ‘Dracula’s Taste Test’, reviewed

by Tracey Paleo, Gia On The Move Nobody does it better.  Makes me feel sad for the rest. Nobody does it...half as good as you.  Baby you're the best. Dracula's Taste Test couldn't get any Fringier and that's exactly what... Continue Reading →

HFF18 ‘God, The Apologies Tour’, reviewed

by Matt Ritchey There’s a lot of immersive storytelling in Fringe this year, but only one offers (and even succeeds!) in giving you the answers to all of your questions. They Played Productions’ God, The Apologies Tour is a fun... Continue Reading →

HFF18 ‘Met Again’, reviewed

by Tracey Paleo, Gia On The Move Relationships are relentless. For all of the initial excitement, there are so many things about them that are awkward and just plain crap. And if we really take them apart, there's a certain... Continue Reading →

HFF18 ‘Meanwhile Back at the Super Lair’, reviewed

by Tracey Paleo, Gia On The Move Easily, one of the best scripted comedies at the 2018 Hollywood Fringe. Playwright Greg Kalleres' ridiculous camp romp about love, death, sex, and white privilege, Meanwhile, Back at the Super Lair, is currently... Continue Reading →

HFF18 ‘Doctor Zomba’s Ghost Show Of Terror’, reviewed

by Tracey Paleo, Gia On The Move "Please turn off your cell phones (and pagers..yes...really) during the presentation. The ghosts will get pissed!" Billed as 'The strangest show on Earth', you'll love it, you'll hate it, you'll want to carve... Continue Reading →

HFF18 ‘Play On! A Musical Romp with Shakespeare’s Heroines’, reviewed

by Bob Rich In her uplifting production Play On! A Musical Romp with Shakespeare's Heroines, Laura Jo Trexler treats us to a tour-de-force performance in a musical journey through Shakespeare’s plays, giving voice to famous women from his classic works.... Continue Reading →

HFF18 ‘Night of the Rootbeer’, reviewed

by Matt Ritchey Getting tickets to an All-Star game in MLB isn't easy and will set you back hundreds of dollars. Getting tickets to an All-Star Fringe show at Three Clubs is free. And will free your mind. There are... Continue Reading →

HFF18 ‘A Mile In My Shoes’, reviewed

by Matt Ritchey There’s a cliché phrase that goes, “I laughed, I cried, it was better than CATS.” The cliché is true for A Mile In My Shoes, Kathryn Taylor Smith’s one-woman show about the journey of homeless citizens in... Continue Reading →

HFF18 ‘The Day I Became Black’, reviewed

by Matt Ritchey If you see no other show this Fringe season, see Bill Posley’s The Day I Became Black, an astounding solo performance about growing up bi-racial in America. Posley is, first off, an incredibly charming and natural performer,... Continue Reading →

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