Gia On The Move


black comedy

#HFF19 ‘Guilt’, reviewed

Reviewed by Matt Ritchey Guilt is two short plays presented as a thematically linked show, produced by Cyanide Theatre. The first, The Holy Name of Apostasy written by Ryan Lisman and Benjamin Schwartz, tackles the current situation in the Catholic... Continue Reading →

#HFF19 ‘Wigfield’, reviewed

Reviewed by Matt Ritchey Wigfield began as a book by Amy Sedaris, Paul Dinello and Stephen Colbert. It was the dream of Pamela Eberhardt and Arlo Sanders to bring it to life on stage… and now they have. And it’s... Continue Reading →

#HFF19 ‘Butcher Holler Here We Come’, reviewed

Reviewed by Matt Ritchey You won’t see another show quite like Butcher Holler Here We Come! at Fringe. And that’s a shame because it’s possibly the most grounded, yet most immersive (without being immersive) piece I’ve seen yet. The story... Continue Reading →

In Antaeus Theatre’s ‘The Cripple of Inishmaan’ Love and Hate Are Mutual Expressions

by Tracey Paleo, Gia On The Move Antaeus Theatre Company's The Cripple of Inishmaan could be celebrated as 'the most wonderful play of their season'. The silliest of expressions, but considering its ultimately delightful nature, it fits. Noted occasionally as... Continue Reading →

Gia #HFF15 #Reviews : Getting To Know You: An Experiment In Intimacy

Reviewed by Marc Wheeler Pick a white chair, any white chair. There’s eight to choose from, each sitting across a dark chair facing it. The specific chair you select will give you an experience unlike anyone else in the room.... Continue Reading →

Gia #HFF15 #Reviews: Zip Ties

by Tracey Paleo, Gia On The Move Thank Goodness, “He’s a professional!” Hitman Saul doesn’t like zip ties. He’s not a fan of keeping his mouth shut either. He always prefers to keep a victim's head covered with a bag... Continue Reading →

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