Search

Gia On The Move

Fountain Theatre and Odyssey Theatre to host ‘Mueller Report Read-a-Thons’ in Los Angeles

Press Release Two venerable Los Angeles intimate theaters will each host a Mueller Report Read-A-Thon, offering Angelenos the opportunity to hear the Mueller Report read aloud, in its entirety, on either side of the City. The Fountain Theatre Read-A-Thon -The... Continue Reading →

Advertisements

#HFF19 ‘Klingon Tamburlaine’, reviewed

Reviewed by Tracey Paleo, Gia On The Move “We will be doing Christopher Marlowe’s Tamburlaine the Great, Parts I and II!” I have to admit I had an OMFG! moment when I heard this statement at the top of the... Continue Reading →

#HFF19 ‘Livin’ The Dream’, reviewed

Reviewed by Matt Ritchey If ever a Fringe show were to be labeled unironically as “charming,” Bob Leggett’s Livin' The Dream is the one. There are other adjectives as well, of course: fascinating, informative, inspiring… but “charming” is the blanket... Continue Reading →

#HFF19 ‘Lincoln 2020’, reviewed

Reviewed by Matt Ritchey If you miss The West Wing and the classic 60’s Mel Brooks films, Holiday Kinnard’s Lincoln 2020 is for you. Tess Baker (Allie Leonard) feels responsible for Mallory Britton (Janet Chamberlain) losing the 2016 election to…... Continue Reading →

#HFF19 ‘Earth to Karen’, reviewed

Reviewed by Tracey Paleo, Gia On The Move ‘Earth to Karen…this is your life!’ And the ladies have it… There is no other performer I can think of that can knock a musical comedy directly out of the park with... Continue Reading →

#HFF19 ‘Falling On Deaf Eyes’, reviewed

Reviewed by Tracey Paleo, Gia On The Move Falling on Deaf Eyes is an autobiographical comedy of a teenage punk rocker growing up in a small town with a single mother who is deaf. The playwright, Justin Maurer, who also... Continue Reading →

#HFF19 ‘Crabbe and Goyle Are Dead’, reviewed

Reviewed by Matt Ritchey Crabbe and Goyle Are Dead is the perfect project for a Hollywood Fringe themed with Fantasy this year. If you know nothing about  Rosencrantz and Guildenstern Are Dead by Tom Stoppard, don’t fret – you’ll be... Continue Reading →

#HFF19 ‘Double Falsehood’, reviewed

Reviewed by Matt Ritchey Porters of Hellgate are back at Fringe with Double Falsehood, attributed to Lewis Theobald based on Shakespeare and Fletcher’s Cardenio, itself based on the story in Don Quixote. It may not be the most well-known play... Continue Reading →

#HFF19 ‘Ed Goodman’s Ol’ Timey Brainwash’, reviewed

Reviewed by Matt Ritchey Ed Goodman is a talented, otherworldly crazy man. And he has a solo show. Thank God. Fans of Goodman may remember his portrayals of Mark Twain in both Poe Show and Mark Twain Answers All Your... Continue Reading →

#HFF19 ‘Princess Magic’s Trash Time Revue’, reviewed

Reviewed by Matt Ritchey You’re invited to a birthday party for a young boy. The magician has canceled. So the very progressive, very white suburban mom has reached out into the community and brought in a homeless woman who says... Continue Reading →

#HFF19 ‘By the Light of the Moon’, reviewed

Reviewed by Tracey Paleo, Gia On The Move Women live in horror. And none more so than those of us living in the present. It’s a shocking and broad statement. But true … sometimes. We are the eyes that are... Continue Reading →

#HFF19, ‘The Same Room’, reviewed

Reviewed by Matt Ritchey Last year, Lucid Dramatics deservedly won “Best Ensemble” for a play featuring modern versions of Hamlet, Laertes, and Ophelia as they struggle to connect or disconnect from one another. This year, LD’s Kelley Pierre pens and... Continue Reading →

Create a website or blog at WordPress.com

Up ↑

%d bloggers like this: