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Gia On The Move

#HFF19 ‘Feeling Lucky’, reviewed

Reviewed by Matt Ritchey We’ve all thought it (and some of us are still thinking it) – “when am I finally going to meet the right person?” Is the “right person” a myth? And how do I get out of... Continue Reading →

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#HFF19 ‘Boeing Boeing’, reviewed

Boeing Boeing will be playing at the Complex beginning July 19th. It previewed during the recent Hollywood Fringe Festival. Reviewed by Matt Ritchey The American Academy of Dramatic Arts is an excellent school with some very well-known graduates. And if... Continue Reading →

#HFF19 ‘Journey’, reviewed

'Reviewed by Tracey Paleo, Gia On The Move There is a mindset about Fringe that things will be fringy. An expectation even, that we can expect no less than ‘out of the ordinary’. The over-the-top, the outrageous, the inexplicable ambiguous,... Continue Reading →

#HFF19 ‘How I Became a Superhero’, reviewed

Reviewed by Tracey Paleo, Gia On The Move Almost directly after the performance, I got tagged on a Facebook timeline, ‘They nailed it!’ While normally I don’t pay attention to the fan hype of any show, with How I Became... Continue Reading →

#HFF19 ‘Shipwracked’, reviewed

Reviewed by Matt Ritchey There are many burlesque companies in Los Angeles, but if Shipwracked  is indicative of all of Victress Burlesque’s shows, they’re toward the top of the list – this isn’t a burlesque show, it’s a full-on comedy... Continue Reading →

#HFF19 ‘The Bully Problem’, reviewed

Reviewed by Matt Ritchey “There is only one thing that a musical play must have – it must have music. And there is only one thing that it has to be – it has to be good.” Well, in my... Continue Reading →

#HFF19 ‘Pretty Witty Nell’, reviewed

Reviewed by Guy Picot In 2015 British actress Bella Merlin brought her one-woman show, Nell Gwynne: A Dramatick Essaye in Acting and Prostitution to the Hollywood Fringe. This year Melanie Johnson steps into the corsets in Rogue Shakespeare's "Pretty, Witty... Continue Reading →

#HFF19 ‘Treason’, reviewed

Reviewed by Matt Ritchey A man believes that because he owns property, he is so independent that he can create his own Nation, his own Constitution, his own laws – and he is therefore not subject to the laws of... Continue Reading →

‘Botanicum Seedlings’ Free New Play Readings: American families and their legacies

Botanicum Seedlings: A Development Series for Playwrights, augments Theatricum Botanicum's summer repertory season with free readings of two new plays about American families confronting their very particular legacies across generations. Readings take place under the oaks in Theatricum’s intimate S.... Continue Reading →

#HFF19, ‘Saving Cain’, reviewed

Reviewed by Tracey Paleo, Gia On The Move "and nothing nothing nothin nothin gonna save us now" Award-winning playwright Aaron Kozak is debuting a full-length script as a world premiere at the Hollywood Fringe 2019, his first in 5 years,... Continue Reading →

#HFF19 ‘Supportive White Parents’, reviewed

Reviewed by Tracey Paleo, Gia On The Move As a standout ‘camp’ production, Supportive White Parents is one of the most delightful surprises this year at the Hollywood Fringe. A (only) 30-minute musical comedy lead performed by Fringe newcomer, actress,... Continue Reading →

#HFF19 ‘Scarlett Fever’, reviewed

Reviewed by Tracey Paleo, Gia On The Move “Oh Rhett!” In 1936, producer David O. Selznick began a 2-year search to find an unknown to play Scarlett O’Hara in Gone with the Wind. For #HFF19 John Wuchte and Kick Boom... Continue Reading →

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