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Theatre Reviews

Antaeus Theatre Company’s ‘As You Like It’ Finds Its Groove

by Tracey Paleo, Gia On The Move Adam J. Smith's amped, hi-fi comedy of Touchstone, Abigail Marks' Celia and Tony Amendola's, Jacques turn around a lackluster commencement of one of Shakespeare's greatest comedies, for a thoroughly resonant and delightful finale... Continue Reading →

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‘I Am Not A Comedian…I’m Lenny Bruce’ a Tour de Force

by Tracey Paleo, Gia On The Move A tour de force performance may sound like the kind of hyperbole far too lightly used about a great many undeserving moments in today's absurdly hyperbolic world. In the case of Ronnie Marmo... Continue Reading →

Flawless Moments at Koslova 2017 Ballet Competition

by Carlos Stafford The judges were ready, the dancers came with energy to burn, and after four days of intense competition the cream rose to the top. By any estimation, the field of dancers who gathered at Symphony Space gave... Continue Reading →

Gia #HFF17 12 Bars Review

by Trace Paleo, Gia On The Move "You went and saved the best for last..." Yup. There's a song for this moment and how apropos to be writing about Gia's final (attended) show at the 2017 Hollywood Fringe, experienced on... Continue Reading →

Gia #HFF17 Hamlet ¿Estás o no estás? Review

by Tracey Paleo, Gia On The Move ​ Hamlet ¿Estás o no estás? by Victor Grovas (and William Shakespeare) and directed by Ricardo Servin turns Shakespeare's Hamlet Prince of Denmark on its ear in an apocalyptic, absurd, contemporary drama that... Continue Reading →

Gia #HFF17 The Faggot King Review

by Tracey Paleo, Gia On The Move Orgies and more orgies. School of Night has put the fun back into the monarchy. War, comedy, rebellion, lust, beheading, endless nightclubbing, open masturbation and lot's and lot's of fucking. If I'm bold... Continue Reading →

Gia #HFF17 Bone Woman Review

by Tracey Paleo, Gia On The Move Every bone tells a story. It is a myth I first became aware of through Clarissa Pinkola Estés who tells the story of a wolf woman from the deserts and mountains of Northern... Continue Reading →

Gia #HFF17 This Side of Sweetwater Review

by Tracey Paleo, Gia On The Move On a cool desert night, lovers fall for each other, argue, swear they can’t go on, and then … they go on. Lighting Rod Theater's presentation of award-winning playwright Tom Stanczyk's, This Side... Continue Reading →

Gia #HFF17 I’m Too Fat For This Show Review

by Tracey Paleo, Gia On The Move Kate Huffman has had two solid decades of living with an OCD-instilled eating disorder that requires her to live by a strict set of rules and rituals rooted in numbers and eternal body... Continue Reading →

Gia #HFF17 The Pleasure Project Review

by Tracey Paleo, Gia On The Move The Pleasure Project is writer/performer Ava Bogle's irreverent, slightly interactive, one-woman show about five aliens preparing to leave earth in light of an impending nuclear war, trying to save humanity through the clitoris.... Continue Reading →

Gia #HFF17 The ABCs Review

by Tracey Paleo, Gia On The Move What happens when the fantasy gets too real? The ABCs follows one girl, Dakota, on her quest for achievable perfection and fantasy fulfilled in a Snapchat world that tells her that all of... Continue Reading →

Gia #HFF17 Billy…From Como to Homo Review

by Tracey Paleo, Gia On The Move Lynne Jassem has definitely pulled out the stops this year with a re-do of her 2016 Hollywood Fringe production Billy...From Como to Homo and it's all in the timing. Hurray! Noticeably shortened in... Continue Reading →

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