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Gia On The Move

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Theatre Reviews

HFF18 Encores, ‘The Rental’, reviewed

by Tracey Paleo, Gia On The Move The rather casual opening gives no indication to The Rental's streamy storytelling and sophisticated tête-à-tête. Lead actress (and executive producer) Alexandra Astin really packs a wallop in this straight-up/sexed-down, provocative comedy by degrees. Keith (Jake... Continue Reading →

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HFF18 ‘Maron Doll’, reviewed

by Tracey Paleo, Gia On The Move Losing what grounds our very existence, beautiful and awful, is terrifying to face. Maron Doll gets points for head-on tackling a subject that not many playwrights or productions have the will to do.... Continue Reading →

HFF18 ‘A Very Die Hard Christmas’, reviewed

by Tracey Paleo, Gia On The Move High above the city of L.A., a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape. An off-duty cop hiding somewhere inside. He’s alone,... Continue Reading →

HFF18 ‘Nephew of the Universe’, reviewed

by Tracey Paleo, Gia On The Move There was admittedly a certain fascination (for me) with seeing Nephew of the Universe. The Indian spiritual leader Sri Chinmoy, whose meditation center, one of many, was located in Queens, NY, was well-known... Continue Reading →

HFF18 ‘Katy and Jennifer’, reviewed

by Tracey Paleo, Gia On The Move Ooh you make me live Whatever this world can give to me It's you you're all I see Ooh you make me live now honey Ooh you make me live Ooh you're the... Continue Reading →

‘An Evening of Betrayal’ with The 6th Act

by Tracey Paleo, Gia On The Move Deception is a lot of work! Just when you think you are stepping away from a humdrum relationship, suddenly the boredom creeps right back into the routine of what used to be an... Continue Reading →

HFF18 ‘The Color Collective’, reviewed

by Bob Rich The Color Collective is a variety show full of high-energy sketch comedy. Similar to series like In Living Color and Mad TV, The Color Collective features humorous, light-hearted vignettes. A few ladies swoon enthusiastically over a rather bookish... Continue Reading →

HFF18 ‘Dracula’s Taste Test’, reviewed

by Tracey Paleo, Gia On The Move Nobody does it better.  Makes me feel sad for the rest. Nobody does it...half as good as you.  Baby you're the best. Dracula's Taste Test couldn't get any Fringier and that's exactly what... Continue Reading →

HFF18 ‘Feast’, reviewed

by Matt Ritchey Do yourself a favor and do not stop by this family's house for dinner. Grisly things await. The dark comedy drips from Feast, a re-mounting of Dylan Wallace's 2014 Fringe piece - a debauched dining room ditty... Continue Reading →

HFF18 ‘ Keeping Up with the Prozorovs’, reviewed

by Bob Rich In the lively production Keeping Up with the Prozorovs, (Anton Chekhov's) three sisters Olga, Masha and Irina leave a small Russian city and head for Moscow to become the Kardashians.  Of the three, Masha (Fabianne Meyer) is... Continue Reading →

HFF18 ‘Personal Privilege and True Tales From Tap City’, reviewed

by Tracey Paleo, Gia On The Move "It's not my way to wear my heart on my sleeve, but I will take some personal privilege." There are several themes arranged inside Piano Man Richard Levinson's (12 Bars, Thanks A Lot –... Continue Reading →

HFF18 ‘Blackballed’, reviewed

by Matt Ritchey and  Bob Rich BlackBalled is an intimate new play that helps us better appreciate the impressive athletes in Negro League Baseball via a team owner's struggle to bring an underfunded league to prominence during the first half... Continue Reading →

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