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Gia On The Move

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Theatre

#HFF19 ‘Supportive White Parents’, reviewed

Reviewed by Tracey Paleo, Gia On The Move As a standout ‘camp’ production, Supportive White Parents is one of the most delightful surprises this year at the Hollywood Fringe. A (only) 30-minute musical comedy lead performed by Fringe newcomer, actress,... Continue Reading →

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#HFF19 ‘Scarlett Fever’, reviewed

Reviewed by Tracey Paleo, Gia On The Move “Oh Rhett!” In 1936, producer David O. Selznick began a 2-year search to find an unknown to play Scarlett O’Hara in Gone with the Wind. For #HFF19 John Wuchte and Kick Boom... Continue Reading →

#HFF19 ‘Guilt’, reviewed

Reviewed by Matt Ritchey Guilt is two short plays presented as a thematically linked show, produced by Cyanide Theatre. The first, The Holy Name of Apostasy written by Ryan Lisman and Benjamin Schwartz, tackles the current situation in the Catholic... Continue Reading →

#HFF19 ‘Internal’, reviewed

Reviewed by Matt Ritchey Internal is the newest immersive piece from They Played Productions and it’s their strongest showing at the Hollywood Fringe Festival yet. Walking down Vine in Hollywood at night on your own, many people are wary of... Continue Reading →

#HFF19 ‘The Flower Society’, reviewed

Reviewed by Tracey Paleo, Gia On The Move In the simplest of ways, The Flower Society tells a story about humanity.  Well, really, about people. How, even in the most harrowing conditions where personal safety and security are threatened, where... Continue Reading →

#HFF19 ‘Pit of Goblins’, reviewed

Reviewed by Matt Ritchey You hear “one-person show” and you get the image of someone using direct-address to talk to the audience about their story – coming to Los Angeles, their disease, whatever it is that their personal story might... Continue Reading →

#HFF19 ‘Anna St. Hesia Dreams’, reviewed

Reviewed by Matt Ritchey Drew Petriello’s Anna St. Hesia Dreams is a fever dream in a blackbox. It’s pronounced “Anaesthesia Dreams,” by the way, if that gives you a clue to the plot. Jinny Ryann plays Anna who has just... Continue Reading →

#HFF19 ‘Cirque du Giselle’, reviewed

Reviewed by Matt Ritchey Aeriform Arts production last year of Dorothy and Alice was a magical, impressive, immersive event of dream-like proportions, held at their small workspace in Hollywood. They return this year with Cirque du Giselle, an acrobatic, silk, aerial... Continue Reading →

#HFF19 ‘The Birds’, reviewed

Reviewed by Matt Ritchey If you’ve never seen or read Aristophanes’ The Birds, the new Sacred Fools production is a fun way to experience a story that even 2400-some years later, it’s woefully relevant. Adapted (hardcore big-league adapted) by the... Continue Reading →

#HFF19 ‘Wigfield’, reviewed

Reviewed by Matt Ritchey Wigfield began as a book by Amy Sedaris, Paul Dinello and Stephen Colbert. It was the dream of Pamela Eberhardt and Arlo Sanders to bring it to life on stage… and now they have. And it’s... Continue Reading →

#HFF19 ‘Sunbathe in Darkness’, reviewed

Reviewed by Matt Ritchey If you mistake Sunbathe in Darkness as the title of a dreary, over-serious, self-important Fringe play by a first-timer, you’d be forgiven. But rest assured, whoever put that production up would soon be ridiculed by way... Continue Reading →

Fountain Theatre and Odyssey Theatre to host ‘Mueller Report Read-a-Thons’ in Los Angeles

Press Release Two venerable Los Angeles intimate theaters will each host a Mueller Report Read-A-Thon, offering Angelenos the opportunity to hear the Mueller Report read aloud, in its entirety, on either side of the City. The Fountain Theatre Read-A-Thon -The... Continue Reading →

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