Category Archives: poetry

Macklemore & Ryan Lewis, Death Cab for Cutie, Headline 2016 Bumbershoot Music & Arts Festival

AnnouncementThe official lineup for the 46th Annual Bumbershoot Music & Arts Festival at the Seattle Center over Labor Day weekend, Friday Sept. 2 through Sunday Sept. 4 includes  Headliners: Seattle natives and hip hop duo Macklemore & Ryan Lewis, alternative rock band Death Cab for Cutie, and critically acclaimed Norwegian producer KYGO, among others.

More than 140 additional artists will perform throughout the weekend on more than a dozen indoor and outdoor stages spread throughout the 74 acre festival grounds, including both Memorial Stadium and KeyArena.

To celebrate Seattle’s Festival, headliner Macklemore will throw out the first pitch at Safeco Field during “Bumbershoot Night” on April 29. Fans who purchase a ticket to the Bumbershoot section at Safeco Field will receive a Mariners Bumbershoot T-shirt.

TicketsTickets are available at a special discount using promo code “BUMBERSHOOT”

Event Pass Information and Lineup

Passes for Bumbershoot go on sale Friday, April 29 at 10 a.m. PT

3-Day Passes, starting at $180
Gold Passes, $400
Emerald VIP, $700

Bumbershoot 2016 (PRNewsFoto/Bumbershoot)Arts and Culture Programming Highlights

In addition to a diverse music lineup that includes 90 acts, from international headliners to emerging local artists, Bumbershoot programming includes comedy, film, dance, theatre, words and ideas, youth activities, and more.

Comedy: Ron Funches from NBC’s Undateable as Shelly will bring his comedic talents to Bumbershoot along with Comedians of Comedy alum Morgan Murphy, The Improvised Shakespeare Company, and Seattle native Nick Thune.

film-iconFilm: With something for every age and taste, the 1 Reel Film Festival — curated by the Seattle International Film Festival — will serve up a selection of the year’s best short films.

dance_iconDance: Returning in 2015 after a few year hiatus, Bumbershoot’s dance programming offers a strong lineup of talent in 2016 including MaximumVELOCITY, a showcase of top contemporary choreographers and dance groups and the Northwest’s premiere breaking and street dance competition, Reign Supreme, which drew huge crowds in 2015.

Theatre-Set-Theatre-masks-iconTheatre: Curated by Theatre Puget Sound, 2016 theatre performances will include Are You There God? It’s Me, Karen Carpenter, a musical that juxtaposes classic coming of age novel Are You There God? It’s Me, Margaret with the music of the Carpenters and an unforgettable performance from Tattprov, which includes one member of the comedy group getting a tattoo based on a suggestion from the audience.

PoetryWords & Ideas: Words & Ideas guests include local poet, writer and filmmaker Sherman Alexi, podcast sensation Chris Allen, Seattle’s premiere political comic (according to Seattle Weekly), Brett Hamil, and the writers of Amazon series Transparent.

YOUNGERSHOOT: Returning for its 6th year the Seattle Children’s Museum presents YOUNGERSHOOT, a place for children ages 10 and younger and their guardians to enjoy the festival together with kid-focused entertainment, hands on activities, and performances.

0002_porkshankFood: Other stand out features this year include B-Eats, a new food program created in partnership with Dan Bugge of Matt’s in The Market and Radiator Whiskey to curate a diverse mix of gourmet style cuisine from local chefs.

Seattle-based nonprofit Center for Infectious Disease Research (CIDResearch) is the official non-profit partner of Bumbershoot 2016. As part of the relationship, Bumbershoot will donate a portion of each pass sold and encourage fans to donate as well, helping spread global health awareness.

Full Lineup

Musical Performances

Macklemore & Ryan Lewis // Death Cab for Cutie // KYGO // Tame Impala // G-Eazy // Pretty Lights // Halsey // DJ Snake // Porter Robinson // Zeds Dead // Bryson Tiller // Michael Franti & Spearhead // Run The Jewels // Billy Idol // ZHU // Fetty Wap // Marshmello // Father John Misty // Explosions In The Sky // Third Eye Blind // Logic // Andrew Bird // Tyler, The Creator // Melanie Martinez // Reggie Watts // Margo Price // Anderson .Paak & The Free Nationals // Chevy Metal // Flatbush ZOMBiES // Maren Morris // Kamasi Washington // Jai Wolf // JoJo // Cashmere Cat // The Front Bottoms // Black Joe Lewis // The Motet // TOKiMONSTA // The Blind Boys of Alabama // St. Lucia // Hippie Sabotage // TroyBoi // Gryffin // Bob Moses // Zella Day // Atlas Genius // Bishop Briggs // Jagwar Ma // Banners // Jimi Charles Moody // Barns Courtney //The Flavr Blue // Donna Missal // Hinds // Lewis Del Mar // Joywave // Naked Giants // Manatee Commune // Shaprece // White Denim // Escondido // Lemolo // Iska Dhaaf // Radiation City // Coast Modern // Erik Blood // Rabbit Wilde // Ryan Caraveo // Secret Weapons // Grave & The Pink Slips // Chastity Belt // Dude York // Desi Valentine // Fly Moon Royalty // Stag // Low Cut High Tops // So Pitted // Strangers You Know // Treasure Fingers // Maiah Manser // Super Square // Pony Time // Snuff Redux // Lisa Prank // DoNormaal // Tracksuit Wedding // COSMOS // Zach Van Lue

Comedy

Ron Funches // The Improvised Shakespeare Company // Kate Berlant // Nick Thune // Goddamn Comedy Jam // Morgan Murphy // Dan Soder // Andy Haynes // Billy Wayne Davis // Adam Ray // Tiffany Haddish // Kevin Barnes // Whitmer Thomas // Jena Friedman // Dan St. Germain // Fahim Anwar // Ashley Barnhill // Moses Storm // Rachel Walls // Seattle’s Most Wonderful // Khadija Hassan // Barbara Holm // Wilfred Padua // Queerz: We’re Hilarious // Stand-up for Yourself with Amy Miller // Natalie Holt // Levi Manis // Improv: Carskee, Jesse + Josh=Josh, CSz Seattle Presents ComedySportz, FEELINGS, The Midnight Goats

Words & Ideas

Writers of Transparent // Seattle Review of Books featuring Sherman Alexie, Robert Lashley, and EJ Koh // Seattle Files with Chris Allen // Seattle Process with Brett Hamil // Why Storytelling? Why Professional Wrestling? Why Now? // Why Tech Industry? Why Homelessness? Why Now? // Why Memes? Why Internet Dating? Why Now? With Emmett Montgomery // Hugo House Presents The Oracle // Battle of The Word Poetry Slam

Dance

Reign Supreme Breakin’ Competition // MaximumVELOCITY

Theatre (Curated by the Theatre Puget Sound)

SWING // Tattprov // DUMP: A Garbage Burlesque // Are You There God? It’s Me Karen Carpenter // Can’t Talk Right Now // Mik Kuhlman “House 30”

Visual Arts

Brent Watanabe // Seattle Experimental Animation Team // Interstitial Theatre // Seattle Center Sculpture Walk // Fine Arts Poster by Ryan Molenkamp

Additional Programming

FILM curated by Seattle International Film Festival // YOUNGERSHOOT curated by Seattle Children’s Museum

Culinary

B-Eats feat. Local chefs of Matt’s In The Market, Radiator Whiskey, Garcia, New Luck Toy, Bok Bok Korean Fried Chicken, and Pike Place Fish Guys

‘The Shocking Fuzz of Your Electric Fur’

gia on the move musicWe’re mix-taping it up today with the groundbreaking band, The Veldt.

Identical twins Daniel and Danny Chavis may originally hail from Raleigh/ Chapel Hill, North Carolina, but they have been East Village residents for the past 28 years. They are also co-founders of the band who lifted their band’s name from a Ray Bradbury science fiction story.

Musically reared in the church and juke-joints of their native southern state, the twins have been performing since they were children, listening to music that included gospel, Motown and Pink Floyd. They now make music, together with bassist/programmer Hayato Nakao, returning to their roots with the release of The Shocking Fuzz of Your Electric Fur: The Drake Equation Mixtape EP.  The album releases today, April 8 and to celebrate, the band is doing a whirlwindl tour of Central Canada (see tour dates below)

The title The Shocking Fuzz of Your Electric Fur was borrowed from an E.E. Cummings poem. Its raging sound was influenced equally by the emotional soul of Marvin Gaye, free jazz warriors Sun Ra and Pharaoh Sanders, various Drake hip-hop tracks, and their own fertile electric imagination.

Although The Veldt has been signed to many major labels after leaving Mercury Records in 1995, the brothers decided to remain indie and self-released their 2008 album White Music for Black People. “”

“The major labels were always trying to get us to change our sound, our look or both, “But, we had no interest in being the next Lenny Kravitz or Tony! Toni! Toné! We weren’t trying to be rock stars, we just want to play our music and pay our rent.” ”

The Veldt will be touring central Canada and North Carolina in early to mid-April and also will be opening for The Brian Jonestown Massacre for various east coast dates during their forthcoming U.S. tour in May. East Coast peeps will have the opportunity to hear this band in Boston, Phily and New York City.

TRACK LIST:
1. Sanctified
2. In a Quiet Room
3. Token
4. One Day Out of Life
5. And It’s You
LIVE DATES:
03/25 New York City – Private session for Huffington Post
04/01 London, ON – CHRW 94.9 FM In-Session
04/01 London, ON – 765 Old East Bar & Grill (with The Mongrels)
04/02 London, ON – CHRW Saturday Morning with Howie Zowie
04/03 Toronto, ON – Silver Dollar Room (with MIMICO)
04/06 Peterborough, ON – Red Dog Tavern (with Stacey Green Jumps)
04/07 Montreal, QC – Barfly (with The City Gates)
04/08 Ottawa, ON – Zaphod’s Ottawa (with Everett)
04/11 Raleigh/Chapel Hill, NC – Cat’s Cradle
04/18 New York City – Mercury Lounge (with Fist of Facts)
04/28 Austin, TX – Levitation Festival / Committee To Keep Music Evil Pre-party at Barracuda
05/06 Philadelphia – Union Transfer (with Brian Jonestown Massacre)
05/07 Boston – Paradise Rock Club (with Brian Jonestown Massacre)
05/09 New York City – Webster Hall (with Brian Jonestown Massacre)

Keep up with The Veldt 
Facebook | Twitter | Reverbnation | Bandcamp | YouTube

Keep up with Leonard Skully Records 
Website | Facebook | Twitter | Soundcloud | YouTube

Keep up with Shameless Promotion PR
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“In Response” An Open Invite from Hollywood’s Towne Street Theatre

In Response

Towne Street Theatre, L.A.’s premiere African-American Theatre Company with Curator Connie Martin Trevino present a special “In Response” Visual Art Exhibit in response to Race Relations & Politics in America at the Stella Adler/LA Art Gallery from April 9 – 24 at Stella Adler Theatre, 6773 Hollywood Blvd. in Hollywood, CA 90028

The art exhibit has been specially curated and is meant to continue the dialogue created by the production, “In Response” which will run simultaneously with the exhibit which will be available one hour before show opening, during intermission and one hour after the show ends.

New works were created just for “In Response” and other works are conversations the artists have been working on throughout their career. Nathaniel Bellamy, Barbara Johnson Graham, Roz Myles, John David Trevino, Lamar Usher, and Connie Martin Trevino are the participating artists.  This exhibition will consist of photography, collage, painting, and drawings, and reflects the artists various backgrounds, experiences, and conversations.

“In Response,” is a multi-media, multi-author event told from a historical perspective through poetry, short plays, video and song; a “response” to systemic racism throughout American history.  It will address race relations and politics in America.  It touches on such poignant topics as interracial relationships, slavery, lynchings, the effects of race on public perceptions, job placement, freedom, and life experiences, as well as the hope and optimism for the future of race relations in America.

There will be talkbacks and a call for audience responses after every show.

Dr. Stephanie Leigh Batiste, will lead our talkback on Sunday, April 10th.  Dr. Batiste is Associate Professor in the Departments of Black Studies & English at University of California at Santa Barbara. Her book, “Darkening Mirrors: Imperial Representation in Depression Era African American Performance” (Duke University Press, 2011) is winner of the William Sanders Scarborough Prize for Research in African American Literature and Culture from the Modern Language Association and Honorable Mention for the Book Award from the Association for Theater in Higher Education.

As artists of color, the company felt it had to respond to the recent numerous police shootings and violence against unarmed black men and women, including the #BlackLivesMatter movement, and the brutality suffered by African-Americans, beginning with slavery.

As April is also National Poetry Month, Towne Street has invited a number of Spoken Word Artists to share their poetry and feelings about racism in America.

Community Response:  Towne Street Theatre would like to empower the community and engage with their audience on their responses on this topic, each week after the 8:00 p.m. Saturday shows and the 4:00 p.m. Sunday shows. The public is invited to share a poem, a spoken word piece, a letter, or a memory.  The public can submit their ideas to tstsubmit@yahoo.com.

Towne Street Theatre, L.A.’s Premiere African American Theatre Company, was founded in 1993 in the aftermath of the 1992 Los Angeles riots. Its mission is to create positive social impact by producing and developing original works reflective of the African American experience. Towne Street continues to be an oasis for creativity and imagination; a theatre that helps to bridge the cultural divide by bringing artists and audiences of all colors and ethnicities together. Originally, located in a downtown loft, the Towne Street Theatre has been in residence at the Stella Adler Theatre/LA in Hollywood since 2004. The 9th Annual TST Ten Minute Play Festival begins in October of 2016.

Tickets for “In Response” are only $8 for the Preview night (April 8th).  For the entire run of the production tickets are $16 General Admission and $12 for Seniors, Students and Groups of 6 or more.

Tickets on sale Now. Get them at http://tstinresponse2.eventbrite.com/

For more information visit our website at townestreetla.org or on Facebook at facebook.com/TowneStreet

 

#GraffitiTuesday : What’s On Wall and…Street Art Inspiration

street art Screen Shot 2016-03-22 at 5.29.44 AM Screen Shot 2016-03-22 at 5.30.42 AM

Giddy-up Little Doggerel! Quickdraw Poetry at The Bootleg L.A.

by Tracey Paleo, Gia On The Move

gia on the move

Most DEFINITELY NOT the show where you take a Xanax and sit back!

Last week’s opening of the Quickdraw Poetry Cabaret by the Melrose Poetry Bureau at the Bootleg Theater lived entirely up to it’s promise of being a risqué ‘velvet bon bon and smoking gun extravaganza’ of poetry, song, burlesque and dueling typewriters. Did they save the world in an hour — probably not.  But there was definitely more than a dash of Friday night sexy, plus a few articles of clothing removed.

As original as it gets, Emcee Brian Sonia-Wallace and company: Nayeli Adorador-Knudsen, Bobby Gordon, Ary Katz and Linda Ravenswood, slam-dunked the evening with audience participation galore.  No one escaped the cross-fire of a single poet, furiously banging at the QWERTY, being pit against one another in a series of crowd suggested versifications, Wild West shoot outs, the typewriter band or scantily clad muse Miss Erin Bridge’s sizzling strip tease charms, (The front row fan club totally didn’t mind at all!)

Be prepared to be riveted by music, sultry dance, breathy orations and defiant provocations. Its ALL about the ‘word.  The stakes are high and the hootin’ & hollerin’ brings the room to a din.  You will be energetically revived and ready for Bootleg’s other evening onslaught of music performance.

Quickdraw Poetry Cabaret by the Melrose Poetry Bureau
@ Bootleg Theater 2220 Beverly Blvd, Los Angeles, CA 90057
Remaining dates are: January 15 & 16 @ 7:30pm
Tickets at bootlegtheater.org

Co-produced with The Bootleg Theater and followed every night by live music and the magic of a cash bar, each show in our run ends with a unique offering:

  • January 15: Brian’s Book Launch Brouhaha – get lit with the book launch event for I Sold These Poems, Now I Want Them Back, a new publication with Yak Press by Melrose Poetry Bureau managing partner Brian Sonia-Wallace.
  • January 16: Closing Party – with tears, drunkenness, dancing, and dreams.

Melrose Poetry Bureau is represented by Knudsen Productions and is a company-in-residence at The Bootleg Theater and Write Club Los Angeles.

 

Shakespeare’s Last Night Out at Three Clubs on Vine

Shakespeare's Last Night Out, Michael Shaw Fisher

Michael Shaw Fisher as William Shakespeare. Photo by David Haverty

“Thou must, in this pregnant hour, with haste and wit, and whilst thou hast advantage, get thee to London (or at least to a bigger venue)!  Else content thyself with churlish critics and render bootless thy wordly strength. Dispatch!”

If ever there has been an intimate rendering of the bard, Michael Shaw Fisher’s (Orgasmico Theatre Company) original solo performance, “Shakespeare’s Last Night Out” is a definitive, musical, interactive discourse, from the mouth of the worlds most renowned playwright in his final hours. 

Legend has it that Shakespeare expired from a fever after a night of drinking. In “Shakespeare’s Last Night Out” the Bard of Avon defends his authorship, details personal, life-shaping family milestones, recounts unknown events and characters, and periscopes his bawdy career beginning from early days as a young boy at school fascinated with story and mask.

Sonneting glove making references inside his father’s shop into some of the most beautiful lines of text in his most famous plays, he exalts ignoble hilarity, the importance and pure joy of his art, and kinships and crossed paths with other acclaimed players during one of history’s most celebrated and dangerous centuries of poetry and stage. It is indeed a bawdy journey of song, serenade and deeply heartfelt regret as well as fierce retrospective.

Michael Shaw Fisher’s delivery is more than mere characterization, he is a near apotheosis of our beloved Will yet “most plain”.  Fisher gives us a highly moving, distinctive portrait of a dreamer/actor/writer who was simply a man.

Impressive multi-instrument, musical accompaniment by Allison Faith Shulock with also Gordon Wimpress on guitar.  Directed by Jeff Sumner. Written and performed by Michael Shaw Fisher.

Now Playing until November 1, 2015 at 

Three Clubs (Three Clubs Stage Room) 1123 N. Vine St, Los Angeles, CA

Follow this show on Facebook.

Tickets at: http://bpt.me/event/2227210

PERFORMANCE DATES/TIMES:

(***UNDER 21 AUDIENCES WILL ADMITTED ONLY ON SUNDAY 9/20  5:00PM and SUNDAY 10/4)

FRI September 18th 8pm
SUN September 20th 5pm (***Under age 21 admitted)
FRI September 25th 8pm
SUN September 27 6pm
FRI October 2nd 8pm
SUN October 4th 5pm (***Under age 21 admitted)
FRI October 9th 8pm
SUN October 11th 6pm
FRI October 16th 8pm
SUN November 1st 6pm

Eclectic Company’s Summer Fling with Richard III

by Tracey Paleo, Gia On The Move

Jesse Merlin and Jon Mullich. Photo Credit: Marni Troop.

Jesse Merlin and Jon Mullich. Photo Credit: Marni Troop.

This being my first visit to Eclectic Company Theatre, Richard III seemed like a great start to an eventful Summer theatre season, which, this year, boasted a dirge of classical indoor and outdoor plays happening around town. What I expected to be a sleepy little company in the Valley turned out to be, to my happy surprise, a powerhouse of talent.  Unsupervised at worst but rife with potential, Eclectic’s presentation of one of Shakespeare’s most villainous of characters diverted into a rather interesting course.

They could have used some better direction.

There was so much going on choreographically apart from the script that the whole thing occasionally needed a pause and a re-align. The costuming by Wendell C. Carmichael was stylishly extravagant in its black and white, futuristic 1930s era mashup. The production however, was cluttered with noisy entrances and exits via the many platformed stage design, the text projected through a wide variety of acting styles, application of opera style makeup in a very closeup house, a forthwith dramatic delivery or two that ended as abruptly as it had begun, plus the breathtaking length of the show.

But the bombshell is that despite some of the more flagrant missteps inside the production Eclectic Theatre Company actually packed a wallop of a show!

Actor Jon Mullich endowed Richard with ferocious comedy, vicious wit and Olivier style spoken word every living breathing moment of the tyrannical, manipulative, hunchback’s life on stage. In the vain of it being a truism that in narrative drama, the villains get the best lines, most certainly no meaning was left unearthed. No text unaddressed.  Paired with the incomparable repartee of actor Jesse Merlin as Buckingham, these two by mystique alone held focus and kept this show moving at a stealthy pace.  Although, there were many notable performances in this play. Overall it was a delicious Richard III.

A little sewing is in order but only to seem the players more perfectly together.  Otherwise, at Eclectic there is most definitely color and contrast, flavor and fragrance.  It will be interesting to see what comes next.

Fight choreography by Christian Chan

Produced by Natasha Troop and Marni Troop
Directed by Natasha Troop

The cast: Jon Mullich as Richard, Jesse Merlin as Buckingham, and Christian Chan, Alon Dina, Melody Doyle, Carissa Gipprich, Rachel Kanouse, Jessicah Neufeld, David Pinion, Tim Polzin, Glenn Simon, Janie Steele, Randi Tahara, Gary Tremble, Eliot Troop, Micah Watterson and Nathan Werner.

This show is now closed. 

Eclectic CompanyCheck the website for the upcoming season productions.