by Tracey Paleo, Gia On The Move Wildly enthusiast and completely over-written, The Aeroplane, or How Low: An Autobiography (sort of), now playing downtown Los Angeles at LOFT Ensemble, with all of its crammed dialog, occasionally messy stage craft, and... Continue Reading →
by Tracey Paleo, Gia On The Move Director and Choreographer Camille A. Brown was careful to stress the complexities of Black Girl Linguistic Play - substance over mere style and what it meant in the societal spectrum for Black Women... Continue Reading →
by Tracey Paleo, Gia On The Move I admit clowns are not my thing. They kind of scare me. I don’t always think they are funny. And Clowns with Swords, although most distinctively contrasted from other mere buffoons, and immeasurably... Continue Reading →
Zena Rommett--Floor--Barre Technique--For Teachers ` Reviewed by Carlos Stafford, The Model Critic City Center, NYC, recently hosted a teacher's training program for the Zena Rommett Floor--Barre Technique. Teachers, and those wanting to be certified, came from many places on the globe to review... Continue Reading →
May 11, 2012 marks Martha Graham's 118th birthday anniversary. ~ This year as a gift for Martha, I asked for something special. Since the mid 1910s, when she began her studies at the newly created Denishawn School of Dancing and Related Arts,... Continue Reading →
There is only a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than others.
Changing the idea of commerical media.
Allongèe -- extended, outstretched.