Category Archives: Movement

Gia #HFF15 #Reviews The Three Musketeers: Clowns with Swords

by Tracey Paleo, Gia On The Move

Clowns with Swords: The Three Musketeers

I admit clowns are not my thing.  They kind of scare me. I don’t always think they are funny.  And Clowns with Swords, although most distinctively contrasted from other mere buffoons, and immeasurably nonsensical are no “merry-andrews” either.

Imagine Alexandre Dumas’ adventurous heroes in what you may have assumed till now a romantic classic thanks to many cavalier film versions brought to life with beautiful dashing casts, elaborate costumes and awe-inspiring court scenery.  Then pause…

Clowns with Swords has definitely not only deconstructed this tale through the twisted lens of a clown, but in fact through extreme absurdity has lent a more accurate character portrayal in the way Dumas wrote them in the novel – less appealing infantry men willing to commit violence over slight insults and treating those they assume are their social or moral inferiors with contempt and cruelty.

Proportionately tangled the expertly orchestrated mechanics: aggressive physical movement choreography, stunts, mime, aerial and wire work, go a long way in telling their version of The Three Musketeers.  Fooling around, silly gags and slapstick diversions drive this piece in the capture and attempted execution of their female nemesis all for a magical paper that will create anyone’s own ending to a story.  The hot pursuit of their own outlandish brand of justice actually turns them into the villains they are supposedly hunting and we ultimately route for the bad girl as she thwarts them.

As billed – vulgar and irreverent, hilarious and poetic – The Three Musketeers: Clowns with Swords is a much meatier enterprise than most.  No simple jesters allowed. Belly laughs will be scarce.  Expect instead to be sufficiently captivated and sometimes appalled but well entertained by this piece.

Mixed.

One more performance!

Sunday June 28 2015, 5:30 PM | 1hr

Actors Company (OTHER SPACE THEATER) 916 N.Formosa Ave map

Tickets: http://www.hollywoodfringe.org/projects/2238?tab=details

Gia #HFF15 #Reviews : IamI

by Marc Wheeler

IAMI

A group of frustrated earthlings find themselves in a nebulous state of Limbo after physical death leads them to a mirror-faced man in full-body spandex.

No, this isn’t a comedy, but a philosophical reflection on the meaning of life and death told with movement, sound, spoken dialogue and multimedia projections. Lofty projects like this can easily fall into the category of Artsy Fartsy when they aren’t well-executed. Such is the case of “IamI” by writer/director Shawn Brown.

After a Big Bang of sorts we meet mother Aila (Kristin Tripe) as she gives daughter Jesny (Alix Schwartz) — yes, Jesny — a “magic stone” of protection to use if she ever feels sad, scared or lonely. Good thing, that stone, as Jesny soon finds herself motherless after Aila drowns herself.

Upon awakening, Aila discovers (surprise!) she didn’t die, and the mirror-faced creature in black spandex who greets her isn’t Death, but a curious cosmic entity named Iam (Erik Dabrowski) who inquires on human ideas of nakedness, love and mortality. After realizing quickly this outer-space afterlife isn’t what she requested, she gets him to strangle her to death — until she wakes up. So much for suicide.

We soon meet more who’ve passed through death’s door. First off, Deos (Tom Lucein), a shirtless blonde sporting an explosives belt and gym shorts who feels duped he hasn’t become a god upon his death as promised, but instead gets to hang with Aila, Iam and another spandexed-creature The Being (Nathan Nonhof) who always seems to be lurking about. Then explorer Wellesley Kelvin (Gabriel Meltz) and his female friend Feriluc Maydie (Molly Connor) — these names, I swear — who argue about the insecurities of aging after drinking from the poisonous Fountain of Youth. Next up are others billed as Reality and Ensemble played by Isaiah Baez, Talia Cartall and Sydney McDonald.

What follows is a series of celestial explorations, from the physical travels in the cosmic playground to the heady inquiries of Purpose, Meaning and Truth, all wrapped in packaged platitudes and vague abstractions. The movement in this piece, paralleling the plot, isn’t quite the polished choreography that could have elevated the story, relying more on nebulous performance-art posturing to give the impression of the other-worldly. All-over-the-map costuming, too, ranges from symbolic and eclectic to realistic and disheveled.

It’s clear by now that “IamI” is in over its head, with performers doing an adequate job despite the material. That’s not to say it’s all without merit. Beautiful original music by Ben Kruse and Kerri Shak provide a meditative ambience. Astral projections by video designer Trey Gilmore create a stunning backdrop on which to tell the tale. Sound Design by Sam Sewell and lighting design by Theatre Asylum’s Beth (last name not billed) are both effective in creating The Beyond.

Tzipora Reman is production manager, stage manager, props manager, technical director and producer. Shawn Brown is assistant video designer.

While experimentation in theatrical art forms is to be applauded, and exploring the meaning of life is admirable, Alternative Art Styles’ “IamI” goes by way of its characters and gets lost in its own cosmic Limbo.

Not Recommended.

Theatre Asylum – The Elephant Space
6322 Santa Monica Blvd, Los Angeles, CA 90038
Running time: 1 hr
Remaining shows:
Saturday, June 27, 2015 – 7:30 PM

Gia #HFF15 #Reviews: HIPPOPOTAMOIDEA!!!

Give me 15 minutes and I’ll give you Fringe!

by Tracey Paleo, Gia On The Move

HIPPOPOTAMOIDEA!!!

The shortest play at the Hollywood Fringe this year can only be described by an equally short review.

“Just Go!”

The world’s worst hangover or was it food poisoning, none of us could really tell, turns into a what-the-hell-was-that, Twilight-zone-like brain flip as an average Joe takes a particularly strange journey to rid himself of the ghosts that plague him.

Hippopotamoidea!!! created by Dylan Wallace from last year’s “Feast”  is entirely inventive, far out and so Fringe worthy hilarious that you really should not miss the opportunity to experience this completely experimental, dialog-free interlude.  It’s such a non-commitment in time for a fun payoff, you’ll be kicking yourself to have missed the buzz.

Definitely one of our favs!

NOTE: This performance is pay what you canSet your own price.

Complex Theatres (Flight Theatre, 6472 Santa Monica Blvd) Hollywood’s Theatre Row map

Friday June 12 2015, 9:00 PM | 15 mins
Friday June 12 2015, 9:30 PM | 15 mins
Saturday June 20 2015, 10:30 PM | 15 mins
Saturday June 20 2015, 11:00 PM | 15 mins
Friday June 26 2015, 7:45 PM | 15 mins
Friday June 26 2015, 8:15 PM | 15 mins
Saturday June 27 2015, 3:45 PM | 15 mins
Saturday June 27 2015, 4:15 PM | 15 mins

Gia Reviews Oedipus Machina at the Odyssey Theatre

by Tracey Paleo, Gia On The Move
Oedipus-Machina_1sm

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Extraordinarily intimate, Oedipus Machina, directed by Ron Sossi, and inspired by Ellen McLaughlin’s adaptation of the Sophocles text, opened this past weekend at The Odyssey Theatre in West Los Angeles.  It is a game changer. 

Spoken in contemporary language, and set in an ancient mysterious place, Oedipus Machina begins smack in the middle of this archetypal tragedy and ends with Oedipus’ banishment. Oedipus Machina focuses on the prime character, and his journey to ultimate self-destruction as a man in search of truth. 

This piece is endowed with many moving stage parts, and intriguing cinema projections that lead our attention into the story to become part of an inner circle rather than just along as voyeurs, thanks to set design by Keith Mitchell, lighting by Phillip Powers, sound by Christopher Moscatiello and video by Diana Cignoni.  These elements alone so dramatically intensified the narrative, it brought about an “other-worldly” state while galvanizing a fiercely strong, in-sync chorus who set a definitively potent physical, verbal and emotional pace, grounding the way for banner performances by Joshua Wolf Coleman (Oedipus), Martin Rayner (Creon) and Lorinne Vozoff (Tirisias).

If “the truth will set you free,” for Oedipus it is a brutal privilege. 

A plague grips the city of Thebes. Desperate to save his people, King Oedipus sends a messenger to the oracle at Delphi and discovers that the city’s salvation lies in finding and punishing the murderer of the former king, Laius, who was brutally slain by a stranger at a crossroads years ago. When Oedipus orders a manhunt, he unknowingly sets the wheels of his own destruction in motion.

Against all warning by prophet, by brother, by wife and by his people, he gives in to a voracious ego and a violent appetite for “the Light” – all  but for the truth of his real parentage.

Ultimately, it is “the Dark” that he must wither into. For like the Adam and Eve story, and the bite of the apple, when the truth of Oedipus’ real birth is revealed, he and his people gain a heavy, unbearable knowledge, and have lost their innocence forever.  

Creative, inspired and dramatically accessible.  Not to be missed this season!

Only one detractor – it’s a bit too long.  Shortened by 10-20 minutes it would easily still tell an effective, powerful story. 90 minutes with no intermission had theatre goers squirming just a little in their seats.

Everything else about this play is outstanding: costume design is by Audrey Eisner, assisted by Beth Miller; make-up design is by Catelyn Chism; props design is by Katherine S. Hunt; musical advisor is Barbara Rottman; and choreography advisor is Debbie McMahon. 

oedipus machinaOedipus Machina 

Inspired by Ellen Mc Laughlin‘s adaptation of the Sophocles text

Directed by Ron Sossi

Starring Alan Abelew, Brent Christensen, Joshua Wolf Coleman, Riley Rose Critchlow, J. Carlos Flores, Martin Rayner, Mariana Montes Sandoval, Cary Thompson,Tina Van Berckelaer, Lorinne Vozoff, Terry Woodberry, Dey Young

Produced by Ron Sossi and Barbara Mueller-Wittmann in association with Gloria Levy

Presented by Odyssey Theatre Ensemble, Ron Sossi, artistic director

Now Playing until Juy 26

Wednesdays at 8 p.m.: June 17 and July 8 ONLY

Thursdays at 8 p.m.: June 25, July 2, July 16 and July 23 ONLY

Fridays at 8 p.m.: June 5, 12, 19*, 26; July 3, 10, 17*, 24

Saturdays at 8 p.m.: June 6, 13, 20, 27; July 11, 18, 25 (dark July 4)

Sundays at 2 p.m.: June 7, 14, 21, 28; July 5, 12, 19, 26

*The third Friday of every month is wine night at the Odyssey: enjoy complimentary wine and snacks and mingle with the cast after the show.

WHERE:

Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

HOW:

(310) 477-2055 ext. 2 or www.OdysseyTheatre.com

Visit them on Facebook: www.facebook.com/OdysseyTheatre

Follow them on Twitter: @OdysseyTheatre_

TICKET: $34

Four “Tix for $10” performances: Friday, June 5; Friday, June 19 (wine night); Thursday, July 2; and Wednesday, July 8

Crazy Underneath The Trees

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Spontaneity is decidedly part of Moon Mile Run’s philosophy; if they hear about something that needs a bit of nurturing—even if it’s a last-minute Open Rehearsal to support a piece—they just might consider getting involved.
 
And they did!
How could they ignore the work of two paragons of Los Angeles’ theater history: Darrell Larson and Rob Sullivan? These two were doing “edgy and raw” theater in the Seventies, before those terms were used to describe theater.
 
Larson describes the piece, Crazy Underneath The Trees: “…not a play, not a poem, perhaps a prayer, definitely a confession, possibly an argument, seduction or negotiation? All of the above, actually, and with percussion. The latter is supplied by the inimitable MIKE TEMPO, of BONEDADDYS fame, with special guest, PAUL LACQUES on guitar.”
 
So join Moon Mile Run in Silver Lake for a COMPLIMENTARY EVENT on Monday, May 11, at 9:30 PM. Spirit Studio (3711 Evans Street, off Hyperion, 90027). Reservation are not required.
Mark Bringelson                 Michael Kearns                       Ryland Shelton
 

Dance Camera West Presents Its 14th Annual Dance Media Festival

April 30 – May 5, 2015

Continuum-1

Venues in Beverly Hills, Downtown Los Angeles, Hollywood, Santa Monica, and Westwood

Celebrating the vibrant art of dance, Dance Camera West (DCW) presents the 14th Annual Dance Media Festival, a public event incorporating dance explored through film and live performance. Taking place at various venues in Beverly Hills (UTA Screening Room), Downtown Los Angeles (MOCA, historic Palace Theatre, REDCAT), Hollywood (historic Egyptian Theatre), Santa Monica (Aero Theatre), and Westwood (Crest Theater, UCLA) from April 30 – May 5, 2015, this multi-disciplinary festival promises to offer something for everyone and will showcase many forms of dance including modern, post modern, world, tap, dance theater, ballet, hip-hop and practically all dance that has been captured on film in a way that is of quality and essential value. Over 30 films will be screened over the course of the Festival connecting diverse cultures and environments through the exploration of dance.

DCW aspires to awaken and infuse the public mainstream with a desire for critical creative programming. The vision of DCW is to present the visual language of dance on screen in a way that stretches the imagination and changes the way we think about dance.

tickets, Dance Camera WestFor more information and to purchase tickets please visit www.DanceCameraWest.org

Ticket Prices:  Free – $15; Festival Kickoff $75

Dance Media Festival Schedule:

Thursday, April 30 – Festival Kickoff, UTA Screening Room, Beverly Hills, Screenings, Cocktails and appetizers, 6:30pm, $75
Live dance performance from JacobJonas The Company: a project based creative company specializing in dance, content production, and arts education.

Escualo – USA, 2014, 4:00, Martin & Facundo Lombard (filmmakers); A powerful new piece from the Lombard Twins.
Dancing is Living: Benjamin Millepied
– France, 2014, 57:00, Louis Wallecan (filmmaker) – West Coast Premiere; This engaging documentary chronicles Benjamin Millepied (choreographer of Darren Aronofsky’s Black Swan), the newly appointed director of the Paris Opera Ballet and founder of L.A. Dance Project, as a globe-trotting ambassador for dance: in rehearsal with his company in L.A., hanging out with Lil Buck, and sharing his ideas about life and dance. Q&A with Louis Wallecan, Filmmaker and James Fayette, Managing Director, LA Dance Project.

Friday, May 1 – Opening Night Shorts, The Palace Theatre, Downtown LA, 7pm, $15

A selection of top international short films and a live dance performance from JacobJonas The Company:
ME – A Story of a Performance – Finland, 2014, 7:30, Jopsu Ramu (filmmaker), Johanna Nuutinen (choreographer); We follow the performance from different perspectives: how it is perceived by the dancer, the audience and how it can be seen from an objective point of view as a mere code. U.S. Premiere

Cracks – Spain, 2013, 4:45; Alex Pachon (filmmaker/choreographer); Every sound generates a movement and every movement produces a sound. U.S. Premiere

Pas – Canada, 2014, 15:00, Frédérique Cournoyer-Lessard (filmmaker); The dance and the acrobatics deeply move between narrative plots and visual poetry. West Coast Premiere

Fuel for Thought – India/UK, 2014, 4:04, Michael Joseph (filmmaker); Choreographer Hemabharathy Palani’s response to Hip Hop artist Mikey J Asante’s track, creating striking imagery against large-scale outdoor scenery and intimate spaces in India.

AM/FM – USA, 2014, 4:45, Morgan Wise (filmmaker), Robert Moses (choreographer); A romantic afternoon car ride turns into a surprising physical contest when a young couple has to choose between two competing radio stations.

Gone – Iceland, 2014, 16:00; Helena Jonsdottir/Vera Solvadóttir (filmmakers); Who is living your life at the moment? Your guest is not always your guest… U.S. Premiere

Martiality, Not Fighting – China, 2012, 10:00, Marianne M. Kim/Cheng-Chieh Yu (filmmakers); A young Chinese dancer performs the role of conscientious objector.

Amandi – Spain, 2014, 7:00; Francesc SitgesSardà/Elisabet Prandi (filmmakers), Claudi Bombardó Oriol (choreographer); A full blend made of nature, woods and weird landscapes with two characters whom travel through that space in constant transformation trying to fit in, to blend in. US Premiere

Dance Camera West

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Saturday, May 2 (day)The Crest Theatre, Westwood

Program 1:  2:30pm; $15
I Was Within – USA, 2014, 9:46, Jenny Stulberg (filmmaker), Jenny Stulberg/Sebastian Grubb (choreographer); Examines the course of a relationship through the multi-faceted elements of love, loss, time, and identity.

Fall to Rise – USA, 2014, 92:00, Jayce Bartok (filmmaker), Catherine Cabeen (choreographer); Who Will Catch You When You Fall? A famous principal dancer injures her knee and attempts to settle into motherhood only to realize she has no identity without dance, and struggles to return with the help of an equally troubled former company dancer.

Program 2: Celebrating Technicolor 100th Anniversary; 4:30pm; $15
The Unfinished Dance – USA, 1947, 101:00, Henry Koster (filmmaker)
Meg, a young ballet student played with penetrating passion by Margaret O’Brien, grows distressed to learn that visiting prima ballerina Darina rather than the school’s top ballerina Bouchet (Cyd Charisse) will play the lead in “Swan Lake.” As a result of Meg’s actions, Bouchet remains a star unfettered by competition and Meg copes with guilt. Dance critic Debra Levine of arts•meme will lead a conversation with Technicolor senior executive Robert Hoffman highlighting the film’s majestic use of color cinematography on the occasion of 100 years of Technicolor films.

Saturday, May 2 (evening)The Aero Theatre, Santa Monica, 7:30pm, $11

I Hate Dancing – Canada, 2014, 2:17, Jo Roy (filmmaker/choreographer); The repulsive nature of dance as told through dance.

American Cheerleader – USA, 2014, 89:00, David Barba/James Pellerito (filmmakers), Hank Light/Jason Keogh (choreographers); Set in the competitive world of cheerleading, the journey of two high school teams vying for the coveted National High School Cheerleading Championship Title.

Sunday, May 3 (day)The Museum of Contemporary Art, Downtown LA

Israel Past and Future – 1pm; $15 (includes Museum admission)
Ze’eva Cohen: Creating a Life in Dance – USA, 2014, 32:00, Sharon Kaufman (filmmaker); Spanning 70 years, how an artist can survive in the dance world by carving out an independent path for herself. Featured artist: Ze’eva Cohen. West Coast Premiere

Glove Story – Israel, 2013, 38:00, Oren Shkedy (filmmaker), Dana Ruttenberg (choreographer); Explores the notion of personal space and the all-too-often invasion into it. It asks the question: what are the psychological, physical and social repercussions of treating borders as mere suggestions?

Renewal – USA/Israel, 2014, 40:00, Stacey Menchel Kussell (filmmaker); In their pioneering Eco-Arts village on the outskirts of Jerusalem, the Vertigo Dance Company in performance and rehearsals, and their ecological pursuits including gray water recycling and permaculture. West Coast Premiere

Animate Life: Dance! – 3pm; $15 (includes Museum admission)

Choreography and Animation Technology Panel Discussion

Frank Gladstone,Gladstone Film; Peggy Holmes, Disney Toon Studios; and others tba

Illumination, education and examination, both contemporarily and historically, of the relationship between Animation and Dance through discussion and screenings.

Sunday, May 3 (evening) REDCAT, Downtown LA

Program 1 – 5:30pm; $15

CalArts Emerging Artists Competition

Jiri Kylian: Forgotten Memories – France, 2011, 52:00, Don Kent/Christian Dumais-Lvowski (filmmaker) – West Coast Premiere; World-renowned Czech choreographer Jiri Kylian, a singular artist whose vision has inspired dancers and choreographers around the globe. West Coast Premiere

Program 2 – 7:30pm; $15

Continuum – France, 2014, 9:15, Natalianne Boucher (filmmaker); Explores time and space through dance and animation techniques.

Born To Fly: Elizabeth Streb vs. Gravity – USA, 2014, 82:00, Catherine Gund (filmmaker); Motley troupe of flyers and crashers, propelled by Elizabeth Streb’s edict that “anything too safe is not action,” these daredevils challenge the assumptions of art, aging, injury, gender, and human possibility. Breathtaking tale about the necessity of art, inspiring audiences hungry for a more tactile and fierce existence in the world.

Monday, May 4 – UCLA Moore Lecture Hall, Special Campus Screening, 6:30pm, Free
Migration
– Canada, 2015, 5:44, Marlene Millar (filmmaker), Sandy Silva (choreographer); Migratory journey of percussive dancers who rely on their hands, feet and sonic bodies to create a unique soundtrack as they move through water, wind and sand interpreting the preparation, departure, and flight of their collective journey. West Coast Premiere

Let’s Get the Rhythm: Life and Times of Miss Mary Mack – USA, 2014, 55:00; Irene Chagall (filmmaker); Celebrates the wondrous world of hand clapping games, a traditional genre that thrives on the playgrounds of large cities and in remote corners of the world. West Coast Premiere

Tuesday, May 5 (evening)Egyptian Theatre, Hollywood

4th Annual Dance-A- Long, 6:30pm, Free
Bring your dancing shoes, friends and family for a fun dance lesson prior to the screening from LA Dance Fit

Final Festival Screening – 7:30pm; $11

Dancing for my Havana – Italy/Cuba, 2015, 112:00, Claudio Del Punta (filmmaker), Yordan Mayedo Perez (choreographer), Q&A with lead dancer/actress/choreographer Nayara Nunez Oliva; Young Cuban dancers struggling to achieve fame and fortune on the world stage, while honoring their intense love for the people and creative energy they find only in their homeland. U.S. Premiere

Dance Camera West is a non-profit organization dedicated to promoting and developing the vibrant art of dance media. DCW connects diverse cultures and environments through its exploration of dance on screen, bringing hundreds of challenging and provocative films to Los Angeles from around the globe, effectively bridging the gap between the uniquely influential Los Angeles film community and the significant local dance populace.  To find out more visit: www.dancecamerawest.org

Tonia Barber, Dance Camera West Director, started her career as a dancer with the Joffrey Ballet in New York City and continued on to the Broadway stage by age 17. Her credits include “42nd Street” and original cast member of Tommy Tunes’ 9-time Tony winner “The Will Roger’s Follies.” Barber has staged and choreographed numerous plays, commercials and industrials including Budweiser, Salon Selects and Gillette as well as working with fashion giants Ralph Lauren, Calvin Klein and Donna Karan. Barber’s first film endeavor started in New York by investing in the independent film Tumbleweeds, which was released worldwide by New Line after competing at Sundance in 1999. The next year Barber produced Interstate 84, which premiered at the Toronto Film Festival and was sold worldwide. Barber then Executive Produced the racecar indie, QuattroNoza, which was in competition at Sundance 2003 and won best cinematography. After moving to Los Angeles 2003, Barber wrote, directed and produced the short film, RAW that premiered at Sundance 2005 and screened at the AFI FEST 2005.

 

Pentacle Is Building a New Way to Present and See L.A. Dance

PENTACLE presents HOME GROWN @  BOOTLEG

Antics

 

To help meet the challenges of presenting and producing dance in Los Angeles, Pentacle steps up to the plate with Pentacle Presents Home Grown @ Bootleg, a new pilot program in two parts: February 19-22 and April 23-26.

Reservations: 213.289.3856  or   www.bootlegtheater.org 

The innovative new program is open to all dance companies and independent choreographers in Los Angeles County, and will offer participants more opportunities to show their work, to build and expand the audiences, and to create audience identity with the Bootleg Theater, a trusted venue for strong Los Angeles area based dance and performance work.   In addition to the evening performances, each weekend will include a fourth afternoon of celebratory engagement with the artists and participatory exploration of the works presented in performance the three previous nights.

February 19-21 at 7 PM

Part 1: Antics and MULTIPLEX Dance** (more information about this program appears below)

Added: February 22 at 1 PM: Celebrate with the artists and explore the work.  (Free, but RSVP is required).

April 23-25 at 7 PM

Part II: Invertigo Dance Theatre and Danza Floricanto/USA

All performances at the Bootleg Theater, 2220 Beverly Blvd., L.A.

Tickets: $20 in advance/ $25 at the door

Invertigo

 

Companies selected for the debut performances of Home Grown @ Bootleg in February are Antics, Amy “Catfox’ Campion’s L.A. based hip hop company, and MULTIPLEX DANCE, which integrates athletic and acrobatic movement vocabulary with digital media and electronic music.   The April dates will see Invertigo Dance Theatre and Danza Floricanto/USA.

The companies were selected by a panel that included Alicia Adams, Artistic Director of Bootleg Theater; Charmaine Jefferson, Kelan Resources; Sara Wookey; and Evy Warshawski, former Executive Director of Santa Clarita Performing Arts Center.  Home Grown @ Bootleg will be led by Pentacle Director Felicia Rosenfeld and Program Coordinator Raélle Dorfan.

Why a new program for dance? 

As noted by LA Times dance writer Lewis Segal,  “Angeleno choreographers Melissa Barak, Josie Walsh (both at the Broad) and Jacob Jonas (at Highways) launched impressive, short-term attempts to break into wider renown.  But what’s next for them?  Another night or two a year from now?  And will they have to mortgage all their wordly possessions and maybe even their first born to afford even that?   As they know too well, there’s no dedicated dance space in this city, no sure passage for choreographers and companies to grow from studio to stage, no accessible/affordable venue where the members of the dance community can measure their work against the achievements of others and where audiences can find and follow the artists they’ve heard or read about.”   These are EXACTLY the issues Pentacle seeks to address with Home Grown @ Bootleg!

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Through this pilot initiative, Pentacle, in partnership with Bootleg Theater, is determined to provide a home for  L.A.’s vivid dance scene, opening doors by creating new and affordable means for local dance artists to showcase their work in an on-going way.   In addition, Pentacle hopes to create audience identification with the Bootleg Theater as a venue that the audience can trust to present high quality, interesting and engaging Los Angeles-based dance.

**More About the February 19-21 program:

Antics will present Sneaker Suites, a performance collaboration between the company and story architect Mark Gonzales.   Through spoken word poetry and street dance, Sneaker Suites delves into the diverse and personal relationships that we have with one of the most highly purchased fashion items in the world: sneakers!

MULTIPLEX DANCE will perform From Darkness to Light, a two part work consisting of subSTRATA (2014), and the premiere of Between Earth and Heaven.   Both works incorporate video projections designed by Chad Michael Hall and music by composer David Karagianis.

PENTACLE is a not-for-profit management support organization for small and mid-sized companies and project-based artists working in dance and theater.  Pentacle’s mission is to provide these communities with flexible and affordable infrastructure support in a sustained way, on an expert level, and at an affordable price.  Since 1976, Pentacle has served as a model for arts administration, a direct resource to the groups and artists with whom we work, and as a facilitator to the performing arts community with innovative programs of local and national impact.   Pentacle is unique in providing infrastructure support directly to dance and theater groups and artists, grounding their services and programming in the creative work of each artist-group, and responding and adapting to the ever-changing needs of the community so that artists have more time to create, perform and engage in the world.

Danza Floricanto USA

Danza Floricanto USA