Category Archives: Theatre

Carpe Noctis: Get Ready Los Angeles for the Late Night Fantasy Event of the Season

The lineup remains a mystery until you set foot in the doors.  We’ve been told it’s a wild experience like nothing you’ve ever encountered.

#carpenoctis

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Carpe Noctis is a Late Night Theatre Festival running from 10PM – 3AM nightly, taking place the first four weekends of October at The Hollywood Theatre Complex on Santa Monica & Wilcox.  The Complex is comprised of seven venues, all of which will have shows going on every thirty minutes.

www.CarpeNoctis.com

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Some of the shows you can expect to see include Live Kung Fu, Suicidal Mimes, Knife Throwing, Rated R Children’s Theatre, Vintage Burlesque, Capoeira, Breakdance Combat, a stellar Striptease Showdown and many more surprises behind every door. (Click on the regular photos for some secrets links to past events.)

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Carpe Noctis runs every Thursday, Friday, Saturday and Sunday, from October 2nd through October 26th. The doors open at 10 p.m. and close at 3 a.m.

  • Festival passes include up to 4 nights of live entertainment.
  • $5 valet parking per night.
  • Each weekend pass gives you access to hundreds of shows. 
  • And the booze is FREE.

ADULTS ONLY

Sound good?

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Hollywood Party at the Hudson Mainstage in Los Angeles, CA

by Tracey Paleo, Gia On The Move

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It was a vigorous performance. But timing is everything and timing is exactly what they didn’t have.

Aspiring actors and long time friends, Alberto Samaniego & Rodrigo Altamirano are invited (so they think) to a spectacular Hollywood party for the premiere of American pioneer (mostly silent) film actor, director, producer, Fred Niblo’s latest movie. At the party, Alberto and Rodrigo discover that two guests are there to murder a VIP Hollywood celebrity. While trying to unmask the culprits, they have to deal with lights, cameras, press, maddening movie stars, jewel thieves, cross dressers and a snooping butler.

The opening of Hollywood Party was an exciting prospect.  Hollywood’s most fabulous murder mystery set in the 1920s, parodying legendary film superstars like, Greta Garbo, Joan Crawford, John Gilbert and Enid Bennett, was utterly, visually divine.  From the mirrored stools, to the leather cushions, beaded pillows, jet oversized chess pieces and other Deco remnants perfectly placed around the room, the set dressing, quite marvelously accoutred the evening to come which commenced rather calmly but eventually picked up some speed. The costuming by Octavio Carlin, multiple award-winning fashion designer to the stars, was delicious.

I can only guess that farce is not the strongest attribute of the cast as an ensemble. Right from the beginning, the lines often awkwardly halted, paused and dragged and actors seemed to have trouble keeping the split second pace, needed to make this comedy work, while keeping in heavy character.

The shining exception throughout, however, was Calli Ryals, a well rehearsed sketch comedy actress, who notably arrived as several distinctly different personalities, like a firecracker and with all of the chutzpah, and more, necessary for each diva in-house. Danny Menendez also pops in at the tail end as a very recognizable W.C. Fields.

It’s more likely, however, the production suffered from less energetic and solid direction, required for this type of burlesque as well as some of the key actors not quite understanding how to deliver it.  I kept longing for the likes of Nathan Lane or Philip Bosco to arrive with the sort of nuance, savvy and superior vaudevillian “muck up” that could actually take this show to an over-the-top zaniness.  The story, well-written as it is, almost gets lost in the middle but for Rodrigo, played by actor Kelly Brighton, who crisply sums up the play-by-play and keeps the audience up to speed.

On the glittering upside, cast members thoroughly and very successful do immerse themselves into the various characters and do camp it up quite well throwing down many highly entertaining moments. If they can marry some better pacing with all of the schtick in the coming performances, it’ll largely be a hit.  A fabulous time, however, can be had with this show.  Still giving it a thumbs up to the all around dedication by the cast and risk taken to produce this timing-difficult piece.

hollywoodpartyHOLLYWOOD PARTY

Written and Directed by Octavio Carlin
Starring Kelly Brighton, Nino Alicea, Thomas Christensen, Max Hambleton, Christina Lemon, Calli Ryals, Les Williams

Now Playing Thru October 19

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Fridays at 8 p.m: September 19, 26, October 3, 10, 17
Saturdays at 8 p.m: September 20, 27, October 4, 11, 18
Sundays at 3 p.m: September 21, 28, October 5, 12, 19

Hudson Mainstage Theatre
6539 Santa Monica Blvd
Hollywood, CA 90038

TICKETS
www.plays411.com/hollywoodparty
(323) 960-4418

General Admission: $30
Students and Seniors with ID: $20

Rubicon Theatre Company Opens It’s 17th Season with Music by Beethoven, Bach, Elton John and Jerry Lee Lewis — It’s a Comedy!

For their 17th Season Opening
The Rubicon Theatre Company
Presents
 
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Winner of the coveted Dora Award (the Canadian equivalent of the Tony), this musical comedy has debuted on five continents and in more than 200 cities! Two actors, two pianos and many, many characters grace the stage as fifteen years of piano playing unfolds in all its awful and hilarious glory—crazy instructors, obsessed parents, torturous recitals, and other high points of musical training. From classical to pop to jazz, this funny play provides the chance for two performers to give their “all” in a virtuoso performance. Along the journey, the actors/pianists portray a remarkable range of characters and display piano wizardry featuring the music of Bach, Beethoven, Elton John and Jerry Lee Lewis, among others.

Low-Priced Previews: Wednesday, October 15 at 7:00 p.m., Thursday, October 16 at 8:00 p.m. and Friday, October 17 at 8:00 p.m. ($38)

Saturday, October 18 – Sunday, November 16, 2014

Tickets

Opens: Saturday, October 18 at 7:00 p.m. Pre-show arrivals begin at 6:30 p.m. ($95)

Wednesdays at 2 p.m. ($52) and 7 p.m. ($62) (Talkbacks following Wednesday evening shows – preview excepted)
Thursdays at 8 p.m. ($62)
Fridays at 8 p.m. ($52)
Saturdays at 2 p.m. ($62) and 8 p.m. ($62)
Sundays at 2 p.m. ($62) 
 
The Rubicon Theatre Company is located in Ventura’s (California)
Downtown Cultural District
 1006 E. Main St. Ventura, CA 93001
 
Ticket Range: $38 – $62
Previews: $38
Discounts Available for Groups of 12+
Box Office (for single or group tickets): 805.667.2900
 
For tickets, call 805.667.2900 or go to rubicontheatre.org.

 

Properties of Silence: A Free Reading at the Pasadena Playhouse

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About…Productions presents
a concert reading of the critically-acclaimed drama about
Mexican poet Sor Juana Inés de la Cruz as part of
AxS Festival 2014

Thursday, Oct. 2 at 7:30 p.m.

Admission is FREE

Properties of Silence — A concert reading of About…Productions’ critically acclaimed drama, presented as part of the Pasadena Arts Council’s AxS Festival 2014 in advance of a fully mounted revival set for 2015. Poetry, science and history spiral out of control as a contemporary Phoenix realtor, her pool contractor husband and the famed 17th century poet Sor Juana Inés de la Cruz meet in a multi-layered dreamscape. Sor Juana, considered the first great Latin American poet, is joined by her confessor who hopes to silence her pen and scientific inquiries. Reality bends as they all confront the nature of their identities and seek a new beginning.

“Wondrous” Steven Leigh Morris, LA Weekly

Written by Theresa Chavez, Rose Portillo and Alan Pulner
Directed by Theresa Chavez
Presented by About…Productions

Carrie Hamilton Theatre at The Pasadena Playhouse
39 S. El Molino Ave.
Pasadena CA 91101

Reservations can be made at:brown paper tickets http://properties.brownpapertickets.com/

For more information, call (626) 396-0920

Buried Child at the Whitefire Theatre in Sherman Oaks, CA

by Tracey Paleo, Gia On The Move

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WORTH THE TICKET!

WORTH THE TICKET!

It was a flawless performance by leading man Leon Russom, in the astounding Whitefire Theatre production of Buried Child.  One of American playwright Sam Shepard’s darker plays, Buried Child originally won the Pulitzer Prize for Drama in 1979 launching Shepard to national fame as a playwright. Thirty-five years later, this story has not lost a single shred of its merit or its impact.

“A thoroughly, outstanding achievement by Director Bryan Rasmussen, definitively and impeccably rendered by an ideal cast.”

A post modern narrative in utter realism Buried Child depicts the fragmentation of the American nuclear family and the disillusionment with American mythology and the American dream.  Whitefire’s production takes a macabre look at a Midwestern family living in an old farm-house on a failed plot of land, in Illinois, carrying a secret that slowly, painfully comes to light in the course of a single evening when grandson Vince, now living in New York City stops in unexpectedly with girlfriend Shelly, on his way to see his father Tilden in New Mexico.

A mentally unwell, Tilden now living back in his childhood home, does not recognize his son, nor does the rest of the family, or so they claim, leaving Shelly utterly perplexed. Grandmother Halie has left earlier in the day for Church and curiously does not reappear until the next day. As the night turns, Vince also disappears, while on a liquor run for his grandfather, leaving a terrified Shelly to fend for herself, with Vince’s acerbic grandfather, the delusional Tilden and eventually the cruel and bullying Bradley, an amputee and younger brother of Tilden.

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To say that opening night was a perfect show would be an understatement.  Although, not entertaining in the ways that most audiences are used to with small theatre in Los Angeles, Buried Child none-the-less is deep, thoughtful and absolutely intriguing.

Bypassing any sort of heavy-handedness in the direction or the presentation, there is nothing about this story that meanders or loses sight of its direction. It is stone cold economically, morally and circumstantially run-down-to-the-ground.  And yet, as ugly as this story could potentially get, the audience is held in place by its weight and symbolism and by the powerful, all-encompassing energy of Mr. Russom himself as Dodge, the alcoholic, aging and dying patriarch, withered and ashamed of his failures and secrets.

Every character in this play has a very essential role to fulfill.  Nothing is extraneous. Everything is bizarre. Even the comedy which Shepard deliberately wrote into this piece is deranged at its occasion.  And yet, again, puzzling as each person, conversation, storyline, accusation and violent act is, it is not so morose as to be sickening.  In fact, it is the opposite.

Heavy hitters of the Broadway, Off-Broadway and Los Angeles stages, Leon Russom (Dodge), Jacque Lynn Colton (Halie) and Tonya Cornelisse (Shelly) amplify the surrealism of a deteriorated family while simultaneously making this show wholly accessible to audiences with Cornelisse absolutely driving the darkly comedic moments of the script.  They are joined by David Fraioli (Tilden), Cris D’Annunzio (Bradley), Zachary Mooren (Vince) and Grant Smith (Father Dewis) who each top this production with bold, graphic performances.

“No one knows better than Sam Shepard that the true American West is gone forever, but there may be no writer alive more gifted at reinventing it out of pure literary air.” ~Frank Rich, The New York Times

A thoroughly, outstanding achievement by Director Bryan Rasmussen, definitively and impeccably rendered by an ideal cast.

photo (8)BURIED CHILD  
A 35th Anniversary Production of the Pulitzer Prize Winning Drama by Sam Shepard
Now playing at The Whitefire Theatre
September 6 – October 11
Directed by Bryan Rasmussen
Produced by Scott Disharoon
Fridays and Saturdays at 8PM
The Whitefire Theatre 13500 Ventura Blvd.(at Sunnyslope) Sherman Oaks 91423
Parking:  Metered parking until 8pm on Ventura Blvd; some side-street parking
                 Please carefully read all parking signage.
                 Please allow at least 15 minutes to park
Tickets: $25
Buy Tickets: www.brownpapertickets.com/event/807730 or 818-990-2324
Production photos by Nico Sabenorio. 

HI-TECH HIJACK – A Musical In Three Bytes at Studio C

By Tracey Paleo, Gia On The Move

hitechhijack_poster_web-2Studio C Artists is in their final weekend of its current production HI-TECH HIJACK – A Musical In Three Bytes. And this show is one you don’t want to miss!

WORTH THE TICKET!

WORTH THE TICKET!

We’ve been hijacked by technology and we’ve all got to come to terms with it.  This comical collection of three one-acts explores man’s relationship with technology, how it has invaded our lives, how we, as a human race, deal with it and the quite surprising consequences.

Originally developed with New Musicals Inc. and presented as part of the 15 Minute Musicals evening MAN V. MACHINE in June of 2012 at the Colony Theatre in Burbank, HI-TECH HIJACK makes a seriously outstanding comeback with its Studio C rendition.

Actors/singers Allie Costa, Shannon Martinous, Luke Klipp, Kila Packett and Bryan Blaskie, pull out all the stops in every anxiety ridden, fantastical, desperate, kitchy piece of choreography and song.  The show is wildly funny at every moment in the vein of film musicals like Grease and Hairspray, with a tremendous amount of personality, especially Ms. Costa who full on vibes her own personal version of a “Breakfast Club” Ally Sheedy.

Each number (albeit repetitively) drones out the hilarious insanity of people trying and failing badly to communicate likes, loves, needs and cries for attention in a world where the ease of tech and social media is supposed to make our lives better and more connected but somehow gets ever more in the way. Even the technology itself makes a break from its own nano-prison into the unknown black hole of re-boot, tired of being tied down to fickle human preferences.

IWISH – In a desperate plea to her parents for attention, teenaged Becca calls for a gadget intervention and hides all the cell phones, computers and iPads in the house.

PHOTO FINISH – What would happen if grandma’s family photos took on a life of their own? Could they survive outside of the hard drive?

#BRAD4LAURA – It’s LOVE and Brad, wants to immediately tell the world…If only he can get past all the online disclaimers, pop-ups, advertisements, thumb typing mishaps and accidental sends to everyone else in his iPhone address book in order to get to Laura’s personal Facebook timeline, YouTube page, text messages, AOL email or Twitter.

At 45 minutes this show is so worth the ticket for the laughter. Not a second is lost with the momentum, the acting, outstanding singing talent, the music or the stories.  An all around great time!

A STUDIO C ARTISTS PRODUCTION
Located at:
6448 Santa Monica Blvd.
Hollywood, CA 90038

Two shows left:

Friday, September 5th at 8pm
Saturday, September 6th at 8pm
 
Tickets can be purchased online at EVENTBRITE
Or call: (323) 988-1175
 

Three Shorts by Tim McNeil at the Stella Adler Academy & Theatre

by Tracey Paleo, Gia On The Move

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WORTH THE TICKET!

WORTH THE TICKET!

One show whose final performance you won’t want to miss this weekend is Three Shorts written by critically acclaimed playwright in residence at The Stella Adler Academy, Tim McNeil, a series of one acts that expose the farcical, absurd and sometimes perverse underbelly of life.

In two out of three Mr. McNeil takes the starring role.  As Evan Dougherty, in The Straight Bozo, he is a man with a secret traveling the morning commute from Long Island New York to Wall Street.  A sort of idiot savant, he expresses his loneliness through the most outlandish intellectual dialog that takes two of his fellow passengers  on a ride they didn’t quite expect.  As it turns out, an idiot he is not – far from it. But his personal truth gets him into trouble with the other passengers.  Curiously written McNeil downplays this character to perfection as the most unlikely but brilliant sage.  It’s a straight up, oddball New York subway story, and believable if you’ve actually ever ridden the Long Island Express.  Supporting cast Brad Kaz (Bob) and Nikki McCauley (Terry) align wonderfully in their long haul duel with each other as Ms. McCauley’s character comes to understand McNeil’s true identity. Jay Kim’s appearance as a subway cop is a light entry but never-the-less gets the job done.

Purplish is a two women play which offers a view of a young poet dying of stomach cancer, trying to understand what the afterlife might be like.  Mona’s writing is her life and in death there is the possibility that there will be absolutely nothing.  It’s a terrifying awareness that she takes out on her estranged lover Amanda in a late afternoon love/hate melodrama.  McNeil’s writing for women is somewhat uneven here leaving Maia Nikiphoroff (Mona) struggling a bit for the character, but both Ms. Nikiphoroff and her lover Meghan Leone Cox (Amanda) pull this play quite nicely together.  Cox’s work is very strong and there is a lovely resolution that happens between them.

It is the finale, of this show however, that will have you rolling in your seat!  Schism is a thoroughly wicked comedy about Urban (McNeil) who has set up a second Vatican in a Kansas farmhouse where, he and his devoted assistant Milla (Fanny Rosen) attempt to bring down a corrupt Rome.  Milla and Urban play out  a high camp, burlesque of religion, uproarious love and lusty temptation. Unrequited, over-the-top, sinfully delinquent attraction culminates with a showdown ending of astronomical proportions.  One of the best and most outlandish pieces of writing experienced in a short play, Schism, leaves the audience in twisted stitches of shock and awe laughter.

Three performances left:

Friday, September 5th @ 8pm
Saturday, September 6th @ 8pm
Sunday, September 7th @ 7pm
 
Three Shorts
Playing at the Stella Adler Academy & Theatre -Gilbert Stage
6773 Hollywood Blvd, 2nd Floor
Hollywood, CA 90028
Tickets: General $20 / Students & Seniors $10
To purchase visit: www.LabTheatre.bpt.me or call (323) 455-3111